The theme for the 30 day art challenge running the entirety of November is red, so I started off with an obvious choice: an apple still life. It is a classic in art because it is simple yet elegant. For my first attempt, I did a trio of honeycrisp apples, but had difficulty nailing down the gold-green of the variegated skin. This trio was also my third painting for the 3 day three themed challenge, and while it does look interesting, it just was not what I wanted to paint. I did upload it to my Pixels store, and input a few prints of it, but until today was not sure what to do with the original. It has kind of grown on me, I guess. Anywho, this is the opportunity to test out Daily PaintWorks’ auction feature. Interested? Bid here.
Since my first attempt wasn’t what I was trying to paint, I did a second painting of these apples, flipping/reversing the photo to just be different, because sometimes that results in a better piece. I am quite pleased with this result: it is bright and colorful.
I am finally getting to the final image from the black and white challenge, which ended up being a photograph I took in early July of my husband’s jalapeno plant, cropped, straightened, and with the color taken out. I had a busy day out of the house that day, running errands up in Palatka, and was tired both physically and mentally once I got home. I really was not happy with the result, and immediately planned to redo it and replace the image with something better, something more “me” than a cluttered and busy photo.
That something else ended up being the very next challenge, which I started with the Calla Lily painting in acrylic. Since the theme for the next challenge was “anything goes,” I figured to do up three images from the black and white challenge in color, using acrylic paint since I could use the practice with that medium.
Some days, the paint just flows perfectly, and the painting comes together “like magic,” as the saying goes. Then, there are days when I feel as though I am fighting every step of the way … and the first day of this painting was definitely a struggle. I blocked out the position of everything easily enough, but my first stab at the background color turned out too purple, so I mixed up some more paint and tried again, with this time being too light a blue. Then, when that dried, I noticed I did cover the too-violet paint well enough in some spots, so I went over it a third time, using the paint straight from the bottle. Then, I turned my attention to the green leaves and stems.
At the time, I only had two shades of green at hand, and neither one was dark enough to be a good jalapeno green. I tried mixing, but at this point it was time to put the critters up for the night and I was frustrated enough I needed to suppress the urge to throw the canvas across the room. That’s usually a clear sign to stop working on it, and try again the next day. So, this painting knocked me out of the short, three-day “anything goes” art challenge, which requires one completed work each day of the challenge. Dropping out of a challenge is only a minor disappointment for me, and one I actually prefer to posting up something I don’t like.
After officially dropping out, hubby was home and asked me what part of the painting had me so frustrated. When I got to the part about not having a good green, he started digging around his bunch of paint (he has used this brand for several years now) and started pulling out half a dozen shades of green for me to choose from. Then he remembered some blending medium that slows drying time that he tried but doesn’t use often, and also a wet palette setup to keep the paint you mix up on the palette from drying while you work.
With the expanded selection of greens available the next day, this painting came together so much easier! This one I actually like, and it is currently on display at El Amigo Mexican Restaurant – because that really is a perfect place to display a painting of a jalapeno plant that has a couple white blossoms, one dark green fruit, and two ripe red peppers (when jalapenos turn red, they are called chipotles). This particular painting may not be perfect (and to be honest, it isn’t because I can spot mistakes) but I like it much better than the photograph.
I’ll likely do a similar painting, or maybe recrop the photo for a more close-up view of it, and hopefully it will have fewer mistakes and be less frustrating. For those who may want a print either larger or smaller than the original 11 by 14, check out my Pixels store. If you want this printed on apparel or swag, look here on RedBubble. For the original, you can email me (“artist” at this domain) or message me on Facebook – or call the number on my business card at the restaurant.
Finally finishing up my six day blue-feathered bird series from the other week is a pair of scarlet macaws. Personally, I’ve always thought we should call them rainbow macaws, because while most of their feathers are a lovely shade of scarlet red, they also have bright yellow, vivid green, and brilliant blue feathers, as you can see from their multicolored backs.
I was extremely pleased with how the tree limb perch came out, although getting the scarlet red with shading was a challenge. In retrospect, I think the green background is not quite right, and probably needed to be toned down a bit more. The birds themselves look more Impressionist style than realist, but since this was for an art challenge I had a (self-imposed) time limit on how much I could fiddle with it. Being the last day of the art challenge, I was not inclined to drop out to fuss over it. As usual, prints are at my Pixels store, while swag and accessories are at RedBubble. If you are interested in the original, you can reach me on Facebook or email me directly (artist at this domain dot com).
I have to say that I am loving these art challenges organized on an art forum that I participate on. I particularly love the themed challenges, as it feels more like a group activity, instead of just me as a solitary artist trying to capture fleeting images from my mind. I remember that one semester of drawing I took in the autumn of 1991 in Texas, where there were about forty of us situated around the large room, all drawing the same objects in the center, but from forty different angles and by forty different hands. I like to listen to an art podcast while doing it, which reinforces that feeling, as we used to discuss the drawing subject while we did it.
I have finished another art challenge, seven days with the theme of “black and white,” and will be starting a shorter three days (“anything goes” non-theme) tomorrow. I may even get caught up over this week, as I am planning to redo at least two of the images I did for the black and white challenge, in color on stretched canvas, but in a different aspect ratio – 8 by 10 inches instead of 9 by 12 inches all the black and white drawings are.
I did another Christmas card artwork sooner rather than later, and yes this is related to another art challenge. The theme was not announced until the evening prior, and the prompt was, “after dark.” I have actually intended to do this piece for a while now, and just hadn’t sat down and done more than just a rough sketch. This turned out to be the perfect excuse to just do it.
I stopped long enough to scan the image in white-on-black, just in case I was still not satisfied with the coloring-in by bedtime. Surprisingly, several of my fellow artists and challenge participants like this better than the final color version. Comments received so far include “surprising,” “minimalist,” and just plain “cool.” I do not have an original for this version for obvious reasons, but I could probably make one if requested. I only have this version up at my Pixels site for prints and even cards.
I have to confess, I expected the coloring-in phase to be more of a battle than it was. I often say, “Sometimes you’re the windshield; sometimes you’re the bug,” and yesterday went smooth enough to qualify as being the windshield. The black paper has a laid texture to it, and is made for charcoal and soft pastel, so it didn’t take the colored pencil as fully as smooth paper would, but I like the effect and will be using it again.
I do love how the pinecones turned out! Y’all will likely never see my first attempt at drawing a pinecone, which is probably for the best. The colors pop against the black background so nicely. Finally, the contrast between the still life objects in focus and the colored lights being completely out-of-focus in the background came out just as I had hoped. Prints and cards are at the Pixels store, while apparel and accessories are at RedBubble.
So, time to ask your input: which version do you like better, and why? Should I do up a new white-on-black version? I suppose I ought to joke, “Asking for a friend.”
The days are beginning to get shorter here in the northern hemisphere, which means it is time to get ready for the upcoming holiday season that kicks off with Halloween and ends with the New Year. Here at the beginning of August, it means it is time to think about what design you want on your Christmas cards! I have two paintings from last year, both five by seven inches, both ornaments hanging on the tree.
This was actually a test of a company’s watercolor paper; the red one is on hot press and the blue one on cold press, which really matters more to me as the artist than anyone who doesn’t paint. (The brand is Legion’s Stonehenge Aqua, for other artists reading this who may be wondering.) I painted them side by side, and was pleased with how both turned out, and it gave me a good idea of what to expect from each … along with two cheery and festive paintings that both look just right for cards!
Both originals are currently available for $35 USD each, and are the perfect size to fit inside most greeting card envelopes. Prints and card pack for the blue ornament are available at this page on my Pixels site, and for apparel, small prints, and cards through RedBubble click here.