This will probably be my only Halloween-specific painting I do this autumn, mainly because the local county tends to dress everything in pink for Breast Cancer Awareness month (and I have three aunts who have been through that!) but Halloween has always been one of my favorite holidays. Well, except the year I got chicken pox in third grade, but that’s irrelevant even though my mom might mention it in a comment.
My previous painting of the pumpkin in sunlight inspired me to do up a carved jack o’lantern. While I still made the effort the get the shading and light correct, this one is a bit more whimsical than realistic. This is actually the second painting, as I was not quite finished with my first attempt when I noticed the sheet of paper had a flaw where the paint just would not adhere … right on one of the teeth. Once I noticed it, I had to redo the painting, because it was a couple of white splotches that stuck out like stark white pieces of spinach, and the position of the flaws reinforced that.
So yesterday I cut the flawed sheet off the watercolor block, transferred the general outline to a new sheet, and went to painting it again. I think this one is actually a slight improvement over the first, and I have the general feeling that this painting is fun to look at, in a very Halloween way.
Now, for all the links for those who are interested in owning either the original or prints or apparel (because it makes for some awesome shirts, and even more awesome face masks!). The original can be purchased either directly from me or through Daily Paintworks through PayPal. Prints and one style of masks are available through my Pixels page. For this image printed on all kinds of apparel and accessories, see my page at RedBubble.
Occasionally, a bit of artistic magic happens and the art piece just flows out onto the paper or canvas. That happened yesterday, and the result is a return to my watercolor paints, and what can best be classified as a still life, as it is a pumpkin in the sunlight.
I must confess to a fondness for drawing and painting squash. That will probably be obvious as time goes on, but I think the skin on squash is visually interesting. It gets even more interesting when you slice it open and reveal the flesh, pulp, and seeds, like in my charcoal drawing of a quartered squash with a wedge. Since I felt inspired to play with color yesterday, the focus visually was more on the orange of the pumpkin skin and how the sunlight and shadows modified the color.
Believe it or not, I started this painting with blue – indanthrene blue, to be exact. I only left the one corner of that blue uncovered, but it is lurking in the bottom-most layer of the shadows. I only used two oranges: a bright, cheerful yellow-orange, and a strong, vibrant red-orange. I actually used more colors on the stem than the pumpkin flesh, but part of that was trying to tweak the tan.
Now, for the reveal:
I couldn’t think of a more-original title than “Pumpkin Close-Up,” but perhaps I used all the creativity getting the shades of the skin just right to look like October sunlight is hitting this symbol of autumn. I suppose whoever buys the original can rename it. At 14 by 10 inches, this is actually my largest watercolor painting to date, though I would like to go a bit larger once I can put together a cat-free zone. I still have not forgotten finding a cat’s-paw print on one of my early watercolor exercises.
For those who would like this painting but in a different size, prints are at my Pixels store … along with jigsaw puzzles. I think this would be a fun puzzle to put together (in a cat-free zone, of course). My RedBubble store also has a puzzle option, along with apparel and other accessories. Finally, if you are the person who wants to put the original on your wall, you can purchase it through Daily PaintWorks and PayPal. Oh, the original does NOT have the domain name on it – that is something I add to the scan because I know image “borrowing” is almost as old as the internet itself.
I did another Christmas card artwork sooner rather than later, and yes this is related to another art challenge. The theme was not announced until the evening prior, and the prompt was, “after dark.” I have actually intended to do this piece for a while now, and just hadn’t sat down and done more than just a rough sketch. This turned out to be the perfect excuse to just do it.
I stopped long enough to scan the image in white-on-black, just in case I was still not satisfied with the coloring-in by bedtime. Surprisingly, several of my fellow artists and challenge participants like this better than the final color version. Comments received so far include “surprising,” “minimalist,” and just plain “cool.” I do not have an original for this version for obvious reasons, but I could probably make one if requested. I only have this version up at my Pixels site for prints and even cards.
I have to confess, I expected the coloring-in phase to be more of a battle than it was. I often say, “Sometimes you’re the windshield; sometimes you’re the bug,” and yesterday went smooth enough to qualify as being the windshield. The black paper has a laid texture to it, and is made for charcoal and soft pastel, so it didn’t take the colored pencil as fully as smooth paper would, but I like the effect and will be using it again.
I do love how the pinecones turned out! Y’all will likely never see my first attempt at drawing a pinecone, which is probably for the best. The colors pop against the black background so nicely. Finally, the contrast between the still life objects in focus and the colored lights being completely out-of-focus in the background came out just as I had hoped. Prints and cards are at the Pixels store, while apparel and accessories are at RedBubble.
So, time to ask your input: which version do you like better, and why? Should I do up a new white-on-black version? I suppose I ought to joke, “Asking for a friend.”
The days are beginning to get shorter here in the northern hemisphere, which means it is time to get ready for the upcoming holiday season that kicks off with Halloween and ends with the New Year. Here at the beginning of August, it means it is time to think about what design you want on your Christmas cards! I have two paintings from last year, both five by seven inches, both ornaments hanging on the tree.
This was actually a test of a company’s watercolor paper; the red one is on hot press and the blue one on cold press, which really matters more to me as the artist than anyone who doesn’t paint. (The brand is Legion’s Stonehenge Aqua, for other artists reading this who may be wondering.) I painted them side by side, and was pleased with how both turned out, and it gave me a good idea of what to expect from each … along with two cheery and festive paintings that both look just right for cards!
Both originals are currently available for $35 USD each, and are the perfect size to fit inside most greeting card envelopes. Prints and card pack for the blue ornament are available at this page on my Pixels site, and for apparel, small prints, and cards through RedBubble click here.