Watercolor Daisy in only four colors

While I am behind on blogging it, I did finish up the three-day daisy art challenge. Before I start in with the second day’s daisy art, I thought I would share a comment left on my Pixels page for the blind contour daisy drawing that made me chuckle. Fellow challenge participant Karen Kasper remarked that it reminds her of a Pablo Picasso drawing, and she suggests I get a better image of it so it could potentially be a bestseller on the site. (I should probably clarify she means Picasso’s later work – he started out classically trained and did wonderfully detailed representational drawing and painting, but later followed his muse to something completely different.) I intended to replace the blind contour with the acrylic painting I was looking at while drawing it, but in light of Karen’s comment I think I will leave it up to y’all blog readers: should I scan that bad boy in, or replace it with the finished painting?

Next daisy artwork

Now to move on to day two of the three day art challenge focused on daisies as its theme. I knew I wanted to do at least one daisy painting in watercolor, so Sunday after sketching out a single flower, I transferred the outline to the first cold press watercolor block I picked up and then sorted through my watercolor paints to see how few tubes of paint I would actually need. I am up to three brands of watercolor paint now: the Mijello Mission Gold paints that I discovered in late 2020, that are excellent for beginners because they don’t run across cold press paper as much as other brands; the Turner paints that don’t lift as easily as Mijello, run at a medium rate, and have always been in stock over at Jerry’s Artarama each time I’ve looked; and my new brand, QoR from Golden (more about this brand later). I had purchased a bottle of QoR’s synthetic oxgall to make my Mijello paint run better for backgrounds, and holy cow does it make the Turner paint really spread, so I knew this would be my most unpredictable paint to work with wet-on-wet. (Note to self: this probably makes no sense to anyone who has not painted with watercolor paint. Must write a post on what all this means.)

I ended up with only four tubes of paint: Turner ultramarine blue for the background (because daisies need either a green or a blue background), Turner permanent yellow and transparent yellow oxide for the center of the daisy and to mix with the blue for the bit of stem, then QoR’s ardoise gray for the shadows on the petals. Just don’t ask me to pronounce that name. I wanted to get the paint done while cats were napping, and succeeded, so I was pleased with the result.

watercolor painting of single daisy flower using only four colors
Four Color Daisy watercolor sketch, 9×12 inches on paper, $80 USD original available

The one thing that sticks out to my eye is that the transparent yellow oxide (yellow ochre for all intent and purpose) does not go well with the permanent yellow in the flower’s center. I probably could have gotten away with mixing the grey and permanent yellow together to achieve a more-harmonious shadow for that part, and I may do it over doing just that sometime this summer.

Links to purchase

The 9 by 12 inch original is available through Daily PaintWorks, as usual sealed with Dorland’s wax medium. If you want a larger print, those are available through my Pixels store, along with greeting cards and some accessories. RedBubble apparel, accessories, and swag is here.

The starting photo

For those curious, the reference photo I used is this one from Pixabay. When I look for a reference photograph, I don’t worry about the shot’s composition, just lighting and subject, because as you can see I crop it to what would make a good painting or drawing to my eye.

the reference photo for my Four Color Daisy

I suppose my lack of reverence for the original photo is a product of my total lack of photography skills – I’ve received valid criticism of my wildflower snapshots, but the simple fact is I am not much of a photographer. If I am going to do a fine art image, that will require something other than a camera. Once again, all I can say is I am so glad digital cameras were invented, or I would still be wasting money and resources on film developing.

Still one more daisy picture from the challenge, then I will need to post up one I did last summer for a 30 day drawing challenge I ended up dropping out of about halfway through, and of course I will need to finished the acrylic painting I used for the blind contour drawing, so there will still be plenty more daisy artwork in the near future.

Starting the Daisy Challenge with a Blind Contour Drawing

I have started a new art challenge at the usual forum, where the challenge mastermind Abbie has been running a series of three-day challenges which started with the “fire” challenge, then moved to two challenges that had themes that just aren’t in my repertoire, bedroom items and aircraft. When I saw the theme for this challenge, I knew I wanted to to do it- daisies. I have a folder of reference photos on my computer marked daisies, not to mention a collection of more ref photos over on Pixabay – which reminds me: I really ought to start linking to the original photos I base my paintings and drawings on so y’all can see how I interpret them since I do not actually copy the reference photos.

This will also address a second challenge from here on the blog, the blind contour drawing challenge I linked to in last week’s Feature Friday, so this first piece covers both. I pulled out my almost-full sketchbook that has served me so well these past two years, then grabbed three oil pastels (because I am still in a bit of an oil pastel mood) and set up my inspiration: an unfinished acrylic painting that has been waiting for its feature in an “On the Easel” post here, or for me to feel like finishing it. I’ll likely work on it today when the storms roll in and knock out our satellite internet connection (like yesterday). I didn’t close my eyes, but I didn’t look at my sketch – I looked at this:

unnamed 10×10 inch acrylic painting of a bee on a daisy on stretched canvas

I had started this so enthusiastically a while back, then had to stop working on it to put critters up or something to do with the critters, I honestly don’t remember exactly why, but I put it on the easel the other week and my mother-in-law saw it last time she came down and remarked how much she likes it so far. (Note ref photo for this is here on Pixabay, for those curious.)

Blind contour daisy drawing

Now, for the blind contour reveal. I’ll say upfront that it isn’t bad for not looking at it – I tend to have a good spatial memory, and if you tilt your head to the side and maybe squint it looks like the unfinished painting on the easel.

blind contour drawing of the daisy

Blind contour drawings can run the range from abstract to primitive to just downright funny-looking, and this one fits in there somewhere. It’s a fun little exercise, and often provokes laughter, which is a good way to start out for a day’s art session. Art doesn’t always need to be so serious. For those who missed it last week, Siena Blue came up with this idea and will be posting links to all the participants on the 15th for an old-fashion blog hop/link party (which is another fun thing we used to do back in the day that I would love to see make a comeback).

So, who else is brave enough to post up their blind contour drawings?