Starting the Daisy Challenge with a Blind Contour

I have started a new art challenge at the usual forum, where the challenge mastermind Abbie has been running a series of three-day challenges which started with the “fire” challenge, then moved to two challenges that had themes that just aren’t in my repertoire, bedroom items and aircraft. When I saw the theme for this challenge, I knew I wanted to to do it- daisies. I have a folder of reference photos on my computer marked daisies, not to mention a collection of more ref photos over on Pixabay – which reminds me: I really ought to start linking to the original photos I base my paintings and drawings on so y’all can see how I interpret them since I do not actually copy the reference photos.

This will also address a second challenge from here on the blog, the blind contour drawing challenge I linked to in last week’s Feature Friday, so this first piece covers both. I pulled out my almost-full sketchbook that has served me so well these past two years, then grabbed three oil pastels (because I am still in a bit of an oil pastel mood) and set up my inspiration: an unfinished acrylic painting that has been waiting for its feature in an “On the Easel” post here, or for me to feel like finishing it. I’ll likely work on it today when the storms roll in and knock out our satellite internet connection (like yesterday). I didn’t close my eyes, but I didn’t look at my sketch – I looked at this:

unnamed 10×10 inch acrylic painting on stretched canvas

I had started this so enthusiastically a while back, then had to stop working on it to put critters up or something to do with the critters, I honestly don’t remember exactly why, but I put it on the easel the other week and my mother-in-law saw it last time she came down and remarked how much she likes it so far. (Note ref photo for this is here on Pixabay, for those curious.)

Now, for the blind contour reveal. I’ll say upfront that it isn’t bad for not looking at it – I tend to have a good spatial memory, and if you tilt your head to the side and maybe squint it looks like the unfinished painting on the easel.

blind contour drawing of the daisy

Blind contour drawings can run the range from abstract to primitive to just downright funny-looking, and this one fits in there somewhere. It’s a fun little exercise, and often provokes laughter, which is a good way to start out for a day’s art session. Art doesn’t always need to be so serious. For those who missed it last week, Siena Blue came up with this idea and will be posting links to all the participants on the 15th for an old-fashion blog hop/link party (which is another fun thing we used to do back in the day that I would love to see make a comeback).

So, who else is brave enough to post up their blind contour drawings?

In the Easel: Red admiral butterfly in acrylic

I felt motivated to paint today, and this one has actually been on my easel for a few weeks without progress. I originally picked out the subject and reference photo back in November for the red challenge that I didn’t finish. In fact, I had even done up an acrylic sketch on paper. You can even get a print of the sketch, though once I complete the final painting and scan it in, I will be replacing the image that is there now.

rough acrylic sketch for red admiral butterfly, 11 by 14 acrylic on paper

I did it quickly, and in the evening after running errand around the county and was tired and my back hurt … yet when my friend Keashia saw it, she immediately said I needed to do it again “for reals.” I didn’t get around to that until last month, and am not setting any speed-painting records on it, but today I’ve managed to make it look like I want it to look.

on the easel: red admiral butterfly, 11 by 14 inch acrylic on stretched canvas

Yes, that is purple where I will eventually be painting black (maybe). I have two sampler sets of Golden brand Open acrylic, which is their slow-drying formula made for the en plein aire painters, but right now I am using the quick-dry acrylics to get the undertones down. I don’t have actual black in the Golden Open sets, but I do have a very traditional work-around: ultramarine blue and burnt umber, along with a convenience mixture they call sap green which I am using in the background of the piece.

When I looked up the red admiral butterfly, all the sources said I ought to have seen this pretty and eye-catching bug at least over the winter season. Alas, I have yet to catch a glimpse of one, though we have plenty of swallowtails and sulfurs fluttering across and around the property. I’ll be painting those as well in the future.

Red Apples 1 still life

The theme for the 30 day art challenge running the entirety of November is red, so I started off with an obvious choice: an apple still life. It is a classic in art because it is simple yet elegant. For my first attempt, I did a trio of honeycrisp apples, but had difficulty nailing down the gold-green of the variegated skin. This trio was also my third painting for the 3 day three themed challenge, and while it does look interesting, it just was not what I wanted to paint. I did upload it to my Pixels store, and input a few prints of it, but until today was not sure what to do with the original. It has kind of grown on me, I guess. Anywho, this is the opportunity to test out Daily PaintWorks’ auction feature. Interested? Bid here.

Apples sketch, 12 by 9 inch acrylic on paper

Since my first attempt wasn’t what I was trying to paint, I did a second painting of these apples, flipping/reversing the photo to just be different, because sometimes that results in a better piece. I am quite pleased with this result: it is bright and colorful.

Red Apples 1, 12 by 9 inch acrylic on paper

Ah yes, this has a bolder feel to it. In fact, it is almost Christmas-y in the bold reds with the green of the background. The original is listed at Daily PaintWorks, while both smaller and larger prints are at my Pixels store. For this image printed on various apparel, check out the listing on my RedBubble page here.

I think this covers all of this episode of apples as still life subjects, for now. I will be revisiting these reference photos – even after we eat the final apple.

Three Fireflies

As a companion to yesterday’s Three Dragonflies, I present the nocturn version (a nocturn is a fancy word for a painting depicting night) Three Fireflies. I like this one better than the day version, just because the colors came out that much more … insert another fancy art jargon word here. My mind is on today’s painting, but I am waiting for the black gesso to dry. (As an aside, I may need to write up a product review on this stuff at some point: Golden black gesso.)

Three Fireflies, 9 by 12 inch acrylic on primed paper, original available $80 USD

The painting scanned so beautifully! Honestly, unless you look at with under strong light, it looks a lot darker in person. I am still quite pleased with this scanner I bought with pandemic stimulus money last year.

The original of this is available, on 9 by 12 inch gessoed paper, through PayPal via Daily PaintWorks. Prints both smaller and larger are at my Pixels store, while apparel and accessories are at my RedBubble shop.

So far, the other art challenge participants seem more enthusiastic about this painting than they are about the first one, but that’s okay because I agree with them. At some point, I will want to revisit the whole fireflies nocturn idea, but today kicks off a 30 day, “red” themed art challenge while also wrapping up the three day one, so today’s painting will need to satisfy two art themes (which thankfully do not conflict!). So if I am able to stick with it this time, expect a whole month of paintings involving red … which will definitely include some poinsettias.

Three Dragonflies acrylic sketch

We started a new art challenge yesterday. It is a short duration one, only three days, with the theme of “three.” Separate from this, but hosted by the same moderator, is an “Edit This” challenge where we are given a photo to edit, draw, or paint in whatever way we please, as long as the hosting moderator can tell you’ve started with the given photo. Inspiration struck first with the ET photo (that sounds funny to me!), then quickly blossomed into an idea where I can do both, plus get the first day of the November 30 day challenge which has the theme of “red.” First, the sacrificial photo:

Edit This #54 photo

It’s cute, and painting mushrooms seems to be a thing right now, so first I thought butterflies around the mushroom, but then I thought dragonflies, or maybe even fireflies … or better yet, dragonflies around the mushroom by day (on white paper to start) and then fireflies around it by night, which would give me the perfect excuse to try out my black gesso on white oil and acrylic paper to see if that stuff is as strong as it looks (spoiler alert: it certainly is!). And so that brings us to day one of the 3-day “three” challenge and the first of my entries into the Edit This challenge: Three Dragonflies.

Three Dragonflies, 9 by 12 inch acrylic on paper, available, $80 USD for original

It turned out cute, a bit on the whimsical side, mostly simple in layering and color, and overall I like it. I listed the original on Daily Paintworks last night, as well as uploading the high resolution scan to my Pixels site for prints. This morning I uploaded said hi-res scan to my shop at RedBubble for the apparel and accessories, positioning the image just right for the clock. At some point, I will get myself one of those clocks … once I decide which artwork to have on it. I doubt I have enough wallspace for all the ones that look nice on that clock face, not to mention the amount of batteries I’d need to keep them all on the right time.

I started the firefly version, as alluded to above, by first testing the black gesso. It’s almost dry enough to start painting now!