Going Bananas and Oranges: More still life in watercolor

Second in my still life watercolor paintings series I am doing as part of a short art challenge is this unimaginatively titled work, Bananas and Oranges. As previously mentioned, the challenge was to do three new artworks in three days, all focused on the theme of banana(s). Since I had considered doing some bananas as still life subjects, I jumped on it with my watercolor paints at the ready.

collage of reference photo and my watercolor still life painting Bananas and Oranges
reference photo and watercolor painting of my still life Bananas and Oranges

Using my artistic license to make the still life more traditional

While I was able to find a reference photo to work from, I was much less impressed with the color choices the original photographer made. While I loved the dark background and shadowed surface, I detest the red bowl. It is jarring to my eye, especially next to the oranges in the bowl. So, I needed to pick a different color for that bowl. Should I make it white (very traditional) or a complementary color like purple or blue? Since I was not feeling a white bowl, I decided to make the bowl one complementary color with the background being the other.

In-progress scans

This piece didn’t flow as easily as the first one did, but after I blocked out the sketch, transferred it to watercolor paper, and got the background painted a lovely deep Prussian blue – and got scans of those two steps – I slipped into “the art zone” and didn’t stop until suddenly it was finished. I really did mean to get more scans of the stages! It’s just that once I am in the zone, I don’t think of anything else but the work in front of me.

collage of the in-progress stages of my watercolor still life painting Bananas and Oranges
the two stages of my second bananas painting: the main sketch and the background

Painting the bananas and oranges

Contrary to most watercolorists, I like to start off with the darkest shadows. I know the conventional wisdom says to work from light to dark, and I have certainly tried that the first couple years. This series of paintings, I decided to try doing it “backwards.” Long story short – I prefer it. It even helps me get my shadows deep enough. Since this was basically a repeat of the subject matter, I just used the same colors as the day before. Once again, I was pleased with the color.

Links to purchase the original painting and art prints

How can you purchase this artwork? If you have the right space for the 9 by 12 inch original watercolor (on paper) painting, get that through my gallery at Daily PaintWorks. If you want larger (or even smaller) sized prints, you can order from 8 by 6 inch all the way up to 45 by 60 inches from Pixels here. For my mother and sister, who prefer to wear my art, there are several apparel options along with home accessories with this image printed on them in my RedBubble shop.

New Floral Painting Iris in Watercolor

I know I’ve left y’all hanging on the Going Bananas series, but this most-recent floral watercolor painting is getting so much positive feedback on the handful of social media I’ve posted it to that I just had to do this one first. Plus, it’s a white iris in full bloom – how could I not?

The inspiration behind the painting

I never thought I would say this, but the inspiration for this came from Facebook … specifically, FB asked if I wanted to reshare an image from three years ago, an (overly) detailed drawing of an iris in full bloom. Seeing that drawing again made me realize I had never done anything else with that image, and the next thing I knew I was transferring the general outline to some watercolor paper to do it in better and in color.

detailed charcoal iris drawing from 2020 and the watercolor painting I made from it in October of 2023
my iris drawing from 2020 and watercolor painting from last week, late October 2023

Before I traced over it to transfer the lines, I did do a high-quality scan of the drawing first, so if you’d like an art print of it you can get one in the size you want. I used my first tinted charcoal (sepia) for the background, though looking at it now I can see it is both too dark and too light and didn’t provide me with the contrast I hoped to achieve. That is probably why it’s called drawing practice.

Recording the painting process

Since the little Nikon digicam died at the start of another art challenge, I was left with just using the old webcam my husband bought a few years ago when 1080p was the top-of-the-line in video. I used it for most of the four pieces in that challenge (I’ll link to it once I get those written!) and I have to admit: I love having video clips of it. In fact, I love it so much I am making an effort to do it more often. I also checked out the current top-of-the-line 4K webcam. It’s on my wishlist. (Edit: I bought it. Yeah, I am really impatient with some things.)

Once I get the video footage edited, I’ll embed that here. Until then, you can see a couple of short vertical videos I’ve uploaded to YouTube here.

software-generated mockup of a larger print of my iris floral watercolor painting in white matting with a slim dark wood frame
how my Iris in Watercolor floral painting looks in white matting and a slim dark wood frame

Notes about my iris floral watercolor painting

As I mentioned in the first paragraph, this was another one of those watercolor paintings that felt as if it just flowed from my brush. I absolutely LOVE when that happens. In fact, the part that took the longest was simply getting the background dark enough to provide the right amount of contrast for the white petals. I used alternating layers of dioxazine purple and indanthrene blue, going round and round the unpainted flower until it finally looked right. Painting the iris and its stem took less than a third of the total painting time, according to the video footage.

my Iris in Watercolor painting printed on the cover of a spiral notebook from RedBubble
Iris in Watercolor printed on a spiral notebook cover from RedBubble

Links to purchase

The 9 by 12 inch original painting is still available to buy through Daily PaintWorks. This artwork scanned beautifully, so you can order an art print through Pixels in sizes as small as 8×6 inch all the way up to 45×60 inches before framing. I also uploaded it to my RedBubble shop because my mother and sister like to wear my artwork. Finally, if you want an original but need a larger size, you can always commission me to do a similar painting. (I could not paint an exact duplicate even if I tried.)