This will probably be my only Halloween-specific painting I do this autumn, mainly because the local county tends to dress everything in pink for Breast Cancer Awareness month (and I have three aunts who have been through that!) but Halloween has always been one of my favorite holidays. Well, except the year I got chicken pox in third grade, but that’s irrelevant even though my mom might mention it in a comment.
My previous painting of the pumpkin in sunlight inspired me to do up a carved jack o’lantern. While I still made the effort the get the shading and light correct, this one is a bit more whimsical than realistic. This is actually the second painting, as I was not quite finished with my first attempt when I noticed the sheet of paper had a flaw where the paint just would not adhere … right on one of the teeth. Once I noticed it, I had to redo the painting, because it was a couple of white splotches that stuck out like stark white pieces of spinach, and the position of the flaws reinforced that.
So yesterday I cut the flawed sheet off the watercolor block, transferred the general outline to a new sheet, and went to painting it again. I think this one is actually a slight improvement over the first, and I have the general feeling that this painting is fun to look at, in a very Halloween way.
Now, for all the links for those who are interested in owning either the original or prints or apparel (because it makes for some awesome shirts, and even more awesome face masks!). The original can be purchased either directly from me or through Daily Paintworks through PayPal. Prints and one style of masks are available through my Pixels page. For this image printed on all kinds of apparel and accessories, see my page at RedBubble.
Occasionally, a bit of artistic magic happens and the art piece just flows out onto the paper or canvas. That happened yesterday, and the result is a return to my watercolor paints, and what can best be classified as a still life, as it is a pumpkin in the sunlight.
I must confess to a fondness for drawing and painting squash. That will probably be obvious as time goes on, but I think the skin on squash is visually interesting. It gets even more interesting when you slice it open and reveal the flesh, pulp, and seeds, like in my charcoal drawing of a quartered squash with a wedge. Since I felt inspired to play with color yesterday, the focus visually was more on the orange of the pumpkin skin and how the sunlight and shadows modified the color.
Believe it or not, I started this painting with blue – indanthrene blue, to be exact. I only left the one corner of that blue uncovered, but it is lurking in the bottom-most layer of the shadows. I only used two oranges: a bright, cheerful yellow-orange, and a strong, vibrant red-orange. I actually used more colors on the stem than the pumpkin flesh, but part of that was trying to tweak the tan.
Now, for the reveal:
I couldn’t think of a more-original title than “Pumpkin Close-Up,” but perhaps I used all the creativity getting the shades of the skin just right to look like October sunlight is hitting this symbol of autumn. I suppose whoever buys the original can rename it. At 14 by 10 inches, this is actually my largest watercolor painting to date, though I would like to go a bit larger once I can put together a cat-free zone. I still have not forgotten finding a cat’s-paw print on one of my early watercolor exercises.
For those who would like this painting but in a different size, prints are at my Pixels store … along with jigsaw puzzles. I think this would be a fun puzzle to put together (in a cat-free zone, of course). My RedBubble store also has a puzzle option, along with apparel and other accessories. Finally, if you are the person who wants to put the original on your wall, you can purchase it through Daily PaintWorks and PayPal. Oh, the original does NOT have the domain name on it – that is something I add to the scan because I know image “borrowing” is almost as old as the internet itself.