The green challenge and the elephant ear plant

Continuing my self-audit of artwork created versus art pieces blogged, I find myself missing yet another of last summer’s art challenges, the green challenge. I meant to write about these last autumn, but apparently it just slipped my mind once “new project fever” swept up my last two working brain cells. I tend to get the new project fever in some rather big doses.

So, let’s travel back in time to July of 2021, which would put us after the flamingo series but prior to the blue-feathered bird series (which starts with the hyacinth macaw painting – I really need to do a roundup of that series and revisit those paintings with a fresh eye). It was another short challenge, with the theme “green,” and I just happen to have the perfect plant model that regrows each year in the goat pasture. Before the challenge started, I was out back with my old Kodak EasyShare digicam (I certainly got my $109 USD worth out of that thing!) to get reference photos of what my husband and I call the elephant ear plant for obvious reasons.

my elephant ear plant in midmorning sun in the pasture

Since I was curious what its real name is (the plant was already here when we bought this place) I posted in a local Facebook group to see what it might be. Answers came in ranging from colocasia to taro to a xanthosoma species, and when I went researching what the differing names, I decided my specimen looks most like Xanthosoma roseum. (Edit: it may be Xanthosoma sagittifolium, which is native to the south of us and this one might have been brought up a county or two.) The largest leaves are often 18-20 inches long, and we sometimes joke about it being an escapee from the set of Jurassic Park.

The first piece I did is similar to the above photo/snapshot, and I worked it in soft pastel (aka my “dusties”) on a blue sheet of Canson Mi Tientes paper, which I am still not enamored with except to use with colored pencil. Overall, I feel I got the shape right, but was hoping it would be brighter in the high key values (highlights) than it turned out. It isn’t awful, but I was hoping for it to be a bit more … just a bit more. The original is 9 by 12 inches, heavy paper, and lightly sprayed with fixative. Prints in larger and smaller sizes are also available at my Pixels store, and here it is on RedBubble apparel and accessories.

Xanthosoma in Morning Sun, 9 by 12 inches, soft pastel on paper, $100 USD original available

For the second day of the green challenge, I decided to zoom in on one leaf of the plant, because it really is a fun-to-draw shaped leaf (like Monstera species). I also decided to switch media and pulled out my oil pastels and the oil-primed practice paper, also a Canson product and one I like using. This piece captured the brightness I was hoping to achieve, and honestly it looks almost as if it is glowing. I so enjoy that about oil pastels – if you want serious, saturated COLOR, you can do it with the oilies. The original is also 9 by 12 inches, which is my favorite size for drawing and sketching, and it is sealed with ModPodge, which really works great for oil pastel work. Prints in larger or smaller sizes are available at my Pixels store, as are 500 and 1000 piece puzzles for those who love a good challenge and don’t have cats to “help” them with all the pieces. RedBubble swag is here.

Elephant Ear Leaf, 9 by 12 inches oil pastel on primed paper, $100 USD original available

For some reason that I cannot recall, I dropped out of the green challenge after this second piece, despite having a good half a dozen more reference photos already chosen and cropped and still in a folder on my computer labeled “green.” Since yellow fly season has started here, I will be spending the majority of daylight hours hiding in the house from those vicious biting monsters that seem to wait outside my door for both of us, which means I will have plenty of time to “art it up,” as hubby says, and maybe this summer I’ll blog more of the results.

In the Easel: Red admiral butterfly in acrylic

I felt motivated to paint today, and this one has actually been on my easel for a few weeks without progress. I originally picked out the subject and reference photo back in November for the red challenge that I didn’t finish. In fact, I had even done up an acrylic sketch on paper. You can even get a print of the sketch, though once I complete the final painting and scan it in, I will be replacing the image that is there now.

rough acrylic sketch for red admiral butterfly, 11 by 14 acrylic on paper

I did it quickly, and in the evening after running errand around the county and was tired and my back hurt … yet when my friend Keashia saw it, she immediately said I needed to do it again “for reals.” I didn’t get around to that until last month, and am not setting any speed-painting records on it, but today I’ve managed to make it look like I want it to look.

on the easel: red admiral butterfly, 11 by 14 inch acrylic on stretched canvas

Yes, that is purple where I will eventually be painting black (maybe). I have two sampler sets of Golden brand Open acrylic, which is their slow-drying formula made for the en plein aire painters, but right now I am using the quick-dry acrylics to get the undertones down. I don’t have actual black in the Golden Open sets, but I do have a very traditional work-around: ultramarine blue and burnt umber, along with a convenience mixture they call sap green which I am using in the background of the piece.

When I looked up the red admiral butterfly, all the sources said I ought to have seen this pretty and eye-catching bug at least over the winter season. Alas, I have yet to catch a glimpse of one, though we have plenty of swallowtails and sulfurs fluttering across and around the property. I’ll be painting those as well in the future.

Pink flamingoes

So, I intended to do up a flamingoes painting roundup when I noticed I only blogged about two of my six paintings last year. Oops! It’s high time I fix that, so grab a beverage and some popcorn (if you like popcorn and your husband hasn’t yet eaten it all) and let me get caught up on my favorite pink-feathered birds.

As I mentioned last year while it was happening, this was for a seven day challenge that had the theme of liquid. I naturally decided to use watercolor paint as my medium for the entire week, and picked out seven reference photos of flamingoes in or near water, and my Flapping Flamingo was the first one I painted. I fell behind on the blogging portion of the challenge, resurfacing to post my favorite of the series, Flamingo in Rippled Water, which y’all will recognize as one of the artworks that won first place in last autumn’s VA Healthcare system regional competition. When I finished up the challenge with a beachscape, I mentioned I would upload the others “soon.” I suppose less than a year can sort-of count as “soon,” in a certain light.

For the second painting of the series, I did up this one I just call Wading Flamingo. I seriously doubt I will ever win any recognition for naming my art, but that doesn’t really bother me so I keep naming things with an obvious title. While this one isn’t really my favorite of the bunch, I have heard from a few folks who saw it and liked it. One artist also participating in the challenge said it was her favorite of the set. Like all the other flamingo paintings, this is on 9 by 12 inch watercolor paper, and prints are available. The page at my RedBubble swag shop is here.

Wading Flamingo, 9 by 12 inch watercolor on paper, $100 USD available

Third in this series, and my second favorite overall, is this much more subdued version I call Curious Flamingo. My husband says flamingoes have such expressive faces, and that expression often looks startled, but I have found some nice ref photos where the bird looks not-startled, like this one. It still looks almost silly, the way this flamingo has cocked its head just so, but the overall effect with the less-saturated colors just work for me. Also on 9 by 12 inch watercolor paper, with prints available in larger sizes. Link to the RedBubble swag shop here.

Curious Flamingo, 9 by 12 inch watercolor on paper, $100 USD available

For my fourth flamingo watercolor painting, I managed to salvage something workable from what at the time looked like very much the disaster. After a couple days of touch-and-go, my masking fluid finally tore the (bleep) out of my paper. I was furious, went on Facebook and asked in a watercolor artists’ group for a better brand than what was using. Once armed with a brand name that was recommended, I placed an order that very evening for what I now use, which is Pebeo drawing gum. As for the painting, which I was originally going to call Beachcombing Flamingoes but instead titled Impressionist Flamingoes … I totally intended for it to be done in an Impressionist style. That’s my story, and I’m sticking to it. I am still a bit ambivalent about the idea of selling the original due to the damage to the paper’s surface, but it scanned well and I uploaded it to RedBubble for apparel and accessories. Prints in various sizes are available.

Impressionist Flamingoes, 9 by 12 inch watercolor

Pale Flamingo is as its title suggests, and a pale pink on the flamingo’s feathers while it feeds in shallow pale blue water. The black of the beak and tail feathers provides sharp contrast with all the pale versions of color, and this one was identified as another artist’s favorite of the series. The contrast is certainly eye-catching. The original is also on 9 by 12 inch watercolor paper, and prints are available from my Pixels store, while the RedBubble swag is located here.

Pale Flamingo, 9 by 12 inch watercolor on paper, $100 USD available

So this gets me finally caught up on my flamingo series of watercolor paintings, which means it’s about time I painted and drew some new flamingo artwork. I’ll need to finish a few pieces on the easels – yes, I now have multiple easels to hold my works-in-progress – and one of those just happens to be a flamingo.

Goat photos by request

So when I posted on Friday, apparently some of y’all expected to see a snapshot or two of my new goat, and two even left comments saying about as much (though politely phrased). When I read the second one Saturday morning, I decided to go through some quick photos hubby had taken with his phone of our new girl, whom I have named Capri. While looking through the folder on my PC, hubby calls me on the phone to inform me I need to bring a towel out to the goat pen because, “You have a new baby out here.”

my new nanny goat Capri
Capri starting to clean off her new kid
mostly dried-off newborn goat kid

And that kicked off a couple days of the two of us (nonphotographer types, one each) attempting to get decent photos of the new goat kid and his mama, who was not handled much at her previous home and is therefore skittish and jumpy. This is the best I can get at present:

Capri and little Billy, one day old

I am sure y’all remember when the triplets were born in mid-February. Well, we kept the boy to be our junior herd sire (because his sire is ten this spring) and call him Pepe. Later this summer, we will start using his full name, Pepe Le Pew. He has certainly grown.

Pepe eating of the feed tub he used to nap in with his sisters

Hope you enjoy these snapshots.

Feature Friday 2: Florida flowers

Another quiet week on my blog reader, but April can be a busy time of the year. Just a couple links to share, then I will inflict my personal (ahem) “style” of photography on y’all, because I had ample opportunity to whip out the little digicam yesterday on our trip in to the feed store.

But first, some real photography from Deb Beausoliel who blogs Beautiful Sun is a translation of her family name. Her topic (after a big fall last month) is sunrises, which being a morning person she prefers over sunsets just because she has them mostly to herself. Now, as a painter who wields brush and pencil instead of camera, I can say with all certainty that capturing a sunrise or sunset is mostly the domain of photographers, unless a painter has an almost-photographic visual memory or such an encompassing grasp of light and shadow to work from imagination. I probably could not even make a mess with with my soft pastels fast enough to capture the perfect moment of optimal color in the sky and how the light hits the surrounding land without the light shifting before I could get it on paper. When I do a sunrise or sunset work, I use a reference photo to “hold” the light still so I can work out the perfect colors and get the surrounding landscape shadows correct. Photos may not always capture what the eye sees, but it can get it close enough when a photographer knows what she or he is doing – and I can definitely work with that.

As fun as a skyscape or cloudscape or sunrise/set picture can be, right now my inspiration is a lot more down-to-earth: there is a new series of wildflowers blooming around the property and along the sides of the roads on the way into town, and I do not really know what they are called, and Google image search has been not-exactly helpful. Apparently, I need to upload the snapshots online before I can use Google Lens, since I do not own a touchscreen device. As my son used to say back when he was in high school, “Le sigh.” These are likely called weeds by the local population, but I still want to figure out what they are so I can title drawings and paintings with a little more detail than, “pretty flowering weed in my Florida yard.” Here is the one I tried to look up on Google, which gave me two different names depending on which photo I used, and both names were genus names with almost 500 species each, so between my two attempts to identify this plant I have over 900 possibilities.

delicate blue-violet to lavender flowers, approximately an inch in diameter

When hubby took a snapshot of one of these plants from above to get the five-lobed shape as the focus, Google first tried to say it was in the campanula genus, commonly called bellflower. The problem with that is in the above snapshot I took this morning, which clearly shows the flowers having a trumpet shape, not bell. The above snapshot returned gentian genus as its result, and while it does look similar, all the online sources for gentians say they bloom usually September to December, except one species which has the common name spring gentian but doesn’t look like this. Perhaps I should only use the digicam for reference photos, and try to identify local flowers after I’ve drawn and/or painted them in a botanical style?

The other flowers I really want to draw and paint are along the paved county road heading back from town. Yesterday, with critter food in the truck bed, and Mexican food in the cab with us, I persuaded hubby to pull off the road for a couple minutes to snap some photos of these lovely fuchsia colored flowers:

eye-catching small fuchsia colored flowers

There were actually a couple other variations of this flower all around me: one variation had white in the center instead of a darker fuchsia, and another had the lighter color as the middle with the darker as the outer color. These flowers are a little smaller than an inch in diameter, and I had the worst time seeing the screen on the digicam just because it was sunny and bright. I didn’t spend too much time with it, because our lunch from the little family run Mexican restaurant smelled delicious (and it was) and I knew hubby’s stomach was growling.

Finally, the reason I pulled out my digicam at the feed store for the second week in a row (remember the gorgeous purple morning glory blooms last week?) is right here:

a pair of peahens hanging around the feed store
they must be camera shy peahens, as they went out the door and around the building when they heard the digicam turn on

The employees and owner of the feed store had been putting a little bit of scratch out for them, and since it was a lovely mild day the doors were propped open and the two peahens actually walked into the store, but turned and immediately left when they heard my digicam turn on. I remarked it was a bit of a shame, because with the backlighting from the door I could see the iridescent blue of their neck and shoulder feathers so nicely. On the drive though town from the feed store, while I was looking at the digicam’s screen, hubby commented, “And there is the peacock,” but traffic was moving too fast for me to try to snap a pic of him. Ah well, there are plenty of photos of peacocks on the various royalty-free stock photo sites, but finding photos of the peahens is not as easy, and I’ve been thinking of doing another peafowl painting sometime this summer to go with my Peacock Portrait acrylic sketch from last year.

We did go get our new goat on Monday, and are once again on kidding watch as she is due soon, which means I’ll get to do the whole bottle-feeding a baby goat routine again. The bright side to this is I now have tinted charcoal to use for my drawings, so here’s hoping I can get some good cat-free drawing time. Maybe I’ll even be able to identify these wildflowers (or flowering weeds) I have blooming around me this week.

Charcoal artwork: Links, promo material, and a preview

Continuing on my roundup theme I’ve been on this past week, I made a YouTube video spotlighting all my current charcoal drawings and uploaded it this morning. Keep in mind this is my first YT video, and I can see a couple things to improve, but everyone has to start somewhere, right? Here it is:

my first YouTube art video – they’ll only get better from here!

I used the format and layout for a short (too short?) video I made for Facebook, which my brother really liked although he said I desperately need some music for it (the FB one) and sent me some of his work. Yeah, my brother is very much the musician in the family, and while I didn’t use any of the mixes he shared with me, we did chat a little this morning about him writing something that fits my art better. If I worked in a more modern art style, I’d have used his demos he sent because they have a definite 21st century vibe to them, while my art tends to have a more classical aesthetic.

Prior to the Facebook short, I had made an animated Pin for Pinterest … and just the other day discovered you can embed a Pin! There’s no stopping this crazy train now …! Oops, too much? I know I can get carried away some times, but the art-geek in me is very excited by this.

my second Idea Pin for Pinterest highlighting my charcoal work

This one quickly eclipsed my first attempt in views, and even got me some new followers over on that platform, so it certainly got tabulated in the Win column. I’m playing around with idea for more, but while those percolate on the back burner of my brain, I thought I’d make up another roundup post to go with all these short videos I’ve made. It would be a little silly to make these videos and not have a matching blog post! Here are the links to my individual posts on my charcoal artwork:

That brings me up-to-date on charcoal artwork for now. I have an acrylic painting on the easel just for the joy of playing with color and with a medium that isn’t as dusty, but I expect I will be back at the charcoal idea after this painting because I have some new toys to play with: Derwent brand tinted charcoal. I’ve seen it on the art websites I like to frequent (Jerry’s Artarama and Dick Blick, if family members want to send me gift cards) and was intrigued by the idea, so last month I went ahead and ordered the small set of six. I now have the big set of 24 as well! That ought to say it all when it comes to writing a review without providing pictures (yet!). Tinted charcoal to go with all my black charcoal and even white charcoal (which I also now have to play with on my black paper).

Oh, tomorrow I go get a new goat, the younger full sister of my Cocoa Puff – and she is due to kid “soon,” which means I get to do the whole bottle feeding of baby goats things again “soon.” Which will mean a continuation of the charcoal kick, which was probably going to happen anyway … but this time I have tinted charcoal to experiment with.

Feature Friday inaugural edition

I am starting up a new but old regular weekly post for the blog: Feature Fridays. This will be a bit of looking back at the previous week here and also on my fellow artists’ blogs and picking out which post I liked best for the previous week, and to drop the occasional hint on upcoming ideas I plan to draw or paint. I keep a little Nikon CoolPix digicam in my purse now, so I can snap photos when I come across something that I want to paint. Given my notorious lack of photography skills, most of my snapshots will very much look like snapshots on an old, cheap digicam, but every once in a while the stars line up just right and I can get a decent photograph. Normally though, I have a snapshot that needs all kinds of cropping and tweaking or it needs to just stay on my computer and not let anyone see it. Even out of focus photos can give me a good enough idea of how the shapes and shadows fall to draw or paint … and I am sure some of y’all have heard my personal joke about learning to draw and paint because that is actually faster and often easier than getting a good photo.

That is actually a great segue into the first link: Steven over at Backyard Image wrote an interesting post where he shows how he sometimes uses his software filters to improve his photos. Steven does a lot of fancy fine art photos, and there is no doubt he can wield his camera the way I wield a charcoal pencil, but as I confess in his comment section, there is a part of me that wants to grab a mahlstick or drawing bridge and smack his cursor away from such things. Then Bob from Carolina Footprints chimed in about how some people use software to create their art, and call it AI-generated. Since Bob opened that can of worms, I posted a short opinion about how art is communication and I have never had a meaningful conversation with a computer or software program (this excludes me cussing at a program), but it probably needs fleshing out because I don’t intend to hijack Steven’s comment section.

First of all, I do need to draw a line between photogs like Steven using various filters and editing out things in a photo editor and these so-call artificial “intelligence” programs that will spit out an image given certain inputs. This is not an intelligence at work – it is just a complex set of protocols the program runs to get its result. The computer doesn’t sit here and “decide” what color palette to use, it uses an algorithm to determine what fits the given input parameters and executes accordingly. Most of all, the program is not trying to communicate anything by running through its protocols. It is just running its program when all is said and done. Said program may be significantly more complex than the simple basic programs we used to type into the display models at the store (10 PRINT “whatever” 20 GOTO 10) but it is still a computer running through its lines of code to apply the parameters and commands.

The bottom line here is I don’t believe there is an intelligence in AI generated images, so I don’t see them as art but the results of a computer running its program. Now, if an artist is feeling uninspired, or maybe has too many ideas, or perhaps just wants to see what a program can do with certain inputs, then takes the result and tweaks it or applies filters or uses it as a basis for something worked by hand, that’s another story. I could boil all these keystrokes down to a simple criteria: to be art it needs to be the product of a human who wants to visually communicate.

So now I circle back to Steven and his photo editing. I know on the intellectual level that he is just using a different tool to achieve the same thing I do with my art tools … but the nonrational side of me is still feeling a bit …. threatened, I suppose you could call it. It took me years and many notebooks and sketchbooks and doodle pads and napkins and the backs of paper placemats over my lifetime to be able to do the charcoal sketch of a monarch butterfly that kicked off this blog conversation. I have little doubt Steven has spent many years and many versions of cameras (including film, which was not cheap) to get to the point where he can get such a great photo of a monarch butterfly, but then he just needs a filter to apply to it to make it look like mine, whereas I would need to learn all the little tricks of a camera and then the plants to attract the butterfly, and a way to keep the outdoor cats from trying to catch said butterfly … or I can do my own version of cheating, go to Pixabay or other stock photo site, and apply my own filters and learn to manipulate photos.

And the penny just dropped, right now as I was typing out the previous paragraph. Call it stream-of-consciousness journaling or whatever, but just like that the feeling is resolved. In his reply to my initial comment on that post, he mentions how the rise of the free stock photo site has put a serious crimp on photographers’ market for stock photos, and concern the same may happen to the hand-created artwork market is the most-likely reason I feel such unease when I first read Steven’s post. I’ve not been out the past two years trying to sell my art to the public much, but in the back of my mind there is the avatar of the Difficult Customer asking, “Why should I pay that much when I can get a photo from the internet and run it through Photoshop and have something better?” Oh, I have a specific face in mind with a specific voice, but I shouldn’t bust anyone out even if s/he probably doesn’t read my blog.

Obviously, I found Steven’s post very thought-provoking, which is what a good blog post should do. He posted a couple other topics this past week, but that is the post that sticks with me and therefore deserves to be shared. Some other notable posts from my blogreader list:

  • Bob Decker of Carolina Footprints wrote a rather detailed description of one of his local wildlife areas where he loves to get his nature photos, the Theodore Roosevelt State Nature Area, Pine Knoll Shores, North Carolina. He even gives specific directions on how to get to both trails open to the public. If you are in that area, or planning a trip to there, this post is an excellent introduction and travel aid. I really love the tricolor heron photo where the bird is casually preening.
  • Sharon Popek has not blogged for a while, but breaks her silence to share photos of her visit to Chicago. While I am content to stay here at the dead end of my little dirt road, if picturesque cityscape photos are your vibe, then she posted some good ones. I like the colors in the sunset one.
  • Speaking of cityscape photos, Jim Hughes was setting up for photos of downtown Minneapolis when a bicyclist rode into his frame … and ended up being the focus of that series, instead of the clouds. That cyclist looks very similar not only to an affable gentleman in my old neighborhood up in Clarksville, Tennessee but also I am pretty sure I have seen a kindred spirit on a three-wheeled cycle around this corner of the county here in rural Florida.
  • Judith at Artistcoveries wrote a very introspective post about a tendency she has noticed in herself, and explores the motives behind her self-sabotaging tendency in both her art and her blog posts. I guess you could say this was a secondary influence on my current post (that you are currently reading). Sometimes you just have to untangle your mixed feelings and mixed motivations, and some of us feel a need to do it publicly, in hopes perhaps it might help someone else.

Since this IS a visual art blog, I probably ought to include at least one image. Remember several paragraphs ago I mentioned I now carry a little digicam in my purse? That came in handy yesterday when I was waiting for my feed order and noticed these gorgeous purple flowers blooming on either side of the local feed store’s entrance. No editing of these photos except cropping out a little extraneous stuff in the frame, so these turned out rather accurate on color (I took about five or six snapshots). These will be painted at some point this year, and I have just the perfect shade of purple in watercolor, acrylic, AND oil paint!

a photo for future painting – I love the shades of purple and green together!

Rose round-up

I had the idea to do a post on all my rose paintings and drawings the other week. I figured it would be a compilation of links to the individual posts for each piece … then I discovered a couple of watercolor paintings that I have not blogged either here or the previous version on blogspot. Even more embarrassing is that one is my header image!

Yes indeed, somehow I forgot to blog my Yellow Rose painting, even though it was the first nice watercolor painting I did back at the end of 2020. I also discovered I had forgotten to upload it to Daily PaintWorks, where I have my original art pieces available, and also forgot to upload it to my RedBubble shop for apparel and accessories, though it has been up on my Pixels store for prints for over a year. Well, that has now been fixed, and it is up and available.

Yellow Rose, watercolor, 6.25 by 9 inches, available $45 USD

Another early watercolor painting that turned out nicely is Red Rosebud 1, a small 5 by 7 inch piece I did early last year – probably inspired by Valentine’s Day that was coming up. I did have it scanned and uploaded already, but it was scanned with the old scanner and I decided to rescan it because my current scanner is just that much better. So, rescans have been uploaded – but in the process I discovered a dirty spot on the top tape line that is not coming off, so I am hesitant to offer the original now. Prints are available at my Pixels store, while apparel and accessories are at the usual spot at RedBubble. If I can clean that spot off the original, I’ll post it as available, but I may need to do a little research on how to get dirt off a watercolor sealed with cold wax medium. Here is the rescan, which shows the colors so much better than the previous one.

Red Rosebud 1, 5 by 7 inch watercolor, prints available

Now for the roundup of my previous posts involving rose artwork:

Eight so far – but I intend to expand upon that this summer. It was actually fun looking over my work and seeing how many roses I’ve drawn and painted so far.

Cherry Blossoms of Spring

Spring is my busy season around the property, and this year has been par for the course with five goat kids, firing up the incubator, and rabbits kindling. While I have been on a charcoal kick so far for 2022, yesterday and this morning it felt so good to have a paint brush in my hand and to work with some color. The interesting angle on this is Judith over at Artistcoveries posted the other day about an historical debate between color and drawing, and how she feels she is on the color side of the argument because she can do color without drawing. I commented that given my ongoing charcoal drawing kick, I have to take the drawing side of that argument, because I can (and do) draw without employing color but flounder on the idea of using color without some drawing element. I suppose that is a succinct way of saying I just don’t feel abstract art like some folks do. We then agreed that it is better to not try to draw a line between these aspects since the art world is certainly big enough for not only both viewpoints, but some that are outside of this binary.

Yeah, I do indeed read other artists’ blogs, and heartily recommend doing so because the interplay of ideas often sparks inspiration all around. Case in point, fellow art blogger Steven of Backyard Image was inspired by my charcoal monarch butterfly I posted last time to play with his photographs and filter software to produce his own new piece. What he doesn’t (yet) know is a previous post of his inspired me to do up both charcoal and watercolor pictures of cherry blossoms, because what says spring quite like the brief glorious week of the cherry trees in Washington, D.C. in bloom? My post inspired him, and one of his inspired me.

I had intended to use the cherry blossom motif for a new art challenge which had the stated theme of “time,” but apparently the lady who organizes these challenges had a much more narrow interpretation than I do. I wasn’t the only participant who took a broader view of the theme, though most focused on timepieces of one sort or another. I just quietly dropped out to pursue my own thing, because that is what I do.

First step for me was to hop onto Pixabay and hunt up some nice cherry blossoms reference photos. As usual, I found a good handful that suited what I had in mind, then it was on to cropping it “just right” because I am just picky like that. Once I selected my target ref photo and had it cropped, then it was time for a charcoal value sketch, where I get a feel for the shapes and shadows. This is “just” a sketch, so nothing as fancy as a full drawing for a charcoal piece, and since it is in my raggedy sketchbook, there is no original to offer, but I did upload it to Pixels for art prints since it makes a nice companion to the watercolor version.

charcoal value sketch for Cherry Blossoms, 9 by 12 inches, in sketchbook

Once I was satisfied the image has enough value contrast to be visually appealing, it was time to transfer it to watercolor paper to paint. These days I do not sketch on watercolor paper, because even when I use watercolor pencils I can still see grid lines, so I now draw it in my sketchbook and use graphite transfer paper to get the necessary lines, which I often lighten up with a kneaded eraser before laying down paint. Just for fun, I wanted to see if I could pull this painting off only using three colors: cobalt blue, rose red (which is more a magenta if you ask me), and burnt umber. I think I succeed.

Cherry Blossoms of Spring, 9 by 12 inches, watercolor, $80 USD

For this iteration, the original is available, 9 by 12 inches, sealed with Dorland’s wax medium and if you are not local you can purchase through Daily PaintWorks via PayPal. Prints are through Pixels, along with a bit of swag like puzzles or a fancy shower curtain. I also uploaded the image to RedBubble, which has a nice variety of apparel, plus the face clock. I simply must include the image of the face clock – I think it looks awesome.

Cherry Blossoms of Spring as a clock face

Now, for the best news: the goat kids are down to two and three bottle feedings a day, which means I now have more time to get back to my art. They are cute, they are affectionate, but for the first four to five weeks they are rather needy, but now they are growing up and two have gone off to a new home where I have no doubt they will be spoiled rotten (no change from their life here).

Some Odds and Ends

Looking through what I have uploaded to my Pixels site, I realize I am missing a blog post. Then I realized the scan I had uploaded that was (past tense now) available was from my old scanner, and that needed fixing. So, I rescanned the page from my sketchbook and replaced the old, smaller file size scan, and now I can proudly say you can get a print of this either a little smaller or a whole lot larger … like 45 by 60 inch at the biggest. That’s even bigger than my largest canvas right now! So without further ado, here is one of my favorite pages from my sketchbook, a monarch butterfly on a coneflower, rendered in charcoal.

Monarch on coneflower, charcoal, 9 by 12 inch sketchbook page

In other news, there is a county fair this year, after a two-year hiatus, and I remembered in time to check for when they are accepting entries for the art category. It is Thursday evening and Friday morning, and I have that time block free. I will be taking up two works, the two first place winners from the VA Healthcare show. I still love how my Flamingo in Rippled Water turned out, and when I showed these two pieces to my neighbor who stopped by yesterday, he told me if it doesn’t get bought at the fair to come to him because he really wants my Dew on a Calla Lily drawing. Actually, he tried to persuade me to give it to there on the spot, but I am used to that routine by now, after living just down the road from him for nine years now.

Final bit is you may notice I have added an old style blog roll in the sidebar. Right now it is all art photographers, but I am hoping to find a drawing and painting blogger to also collaborate with soon. I blogged back in the days before social media was even a thing, and remember not only the sense of camaraderie we had, but also the fun things we used to do to help each other like link roundups, blog hops, and blog carnivals. Once I get through the busy part of spring, it will be, “Game ON!” with those ideas, so something to look forward to once the yellow flies come out of the swamp.