The theme for the 30 day art challenge running the entirety of November is red, so I started off with an obvious choice: an apple still life. It is a classic in art because it is simple yet elegant. For my first attempt, I did a trio of honeycrisp apples, but had difficulty nailing down the gold-green of the variegated skin. This trio was also my third painting for the 3 day three themed challenge, and while it does look interesting, it just was not what I wanted to paint. I did upload it to my Pixels store, and input a few prints of it, but until today was not sure what to do with the original. It has kind of grown on me, I guess. Anywho, this is the opportunity to test out Daily PaintWorks’ auction feature. Interested? Bid here.
Since my first attempt wasn’t what I was trying to paint, I did a second painting of these apples, flipping/reversing the photo to just be different, because sometimes that results in a better piece. I am quite pleased with this result: it is bright and colorful.
As a companion to yesterday’s Three Dragonflies, I present the nocturn version (a nocturn is a fancy word for a painting depicting night) Three Fireflies. I like this one better than the day version, just because the colors came out that much more … insert another fancy art jargon word here. My mind is on today’s painting, but I am waiting for the black gesso to dry. (As an aside, I may need to write up a product review on this stuff at some point: Golden black gesso.)
The painting scanned so beautifully! Honestly, unless you look at with under strong light, it looks a lot darker in person. I am still quite pleased with this scanner I bought with pandemic stimulus money last year.
So far, the other art challenge participants seem more enthusiastic about this painting than they are about the first one, but that’s okay because I agree with them. At some point, I will want to revisit the whole fireflies nocturn idea, but today kicks off a 30 day, “red” themed art challenge while also wrapping up the three day one, so today’s painting will need to satisfy two art themes (which thankfully do not conflict!). So if I am able to stick with it this time, expect a whole month of paintings involving red … which will definitely include some poinsettias.
We started a new art challenge yesterday. It is a short duration one, only three days, with the theme of “three.” Separate from this, but hosted by the same moderator, is an “Edit This” challenge where we are given a photo to edit, draw, or paint in whatever way we please, as long as the hosting moderator can tell you’ve started with the given photo. Inspiration struck first with the ET photo (that sounds funny to me!), then quickly blossomed into an idea where I can do both, plus get the first day of the November 30 day challenge which has the theme of “red.” First, the sacrificial photo:
It’s cute, and painting mushrooms seems to be a thing right now, so first I thought butterflies around the mushroom, but then I thought dragonflies, or maybe even fireflies … or better yet, dragonflies around the mushroom by day (on white paper to start) and then fireflies around it by night, which would give me the perfect excuse to try out my black gesso on white oil and acrylic paper to see if that stuff is as strong as it looks (spoiler alert: it certainly is!). And so that brings us to day one of the 3-day “three” challenge and the first of my entries into the Edit This challenge: Three Dragonflies.
It turned out cute, a bit on the whimsical side, mostly simple in layering and color, and overall I like it. I listed the original on Daily Paintworks last night, as well as uploading the high resolution scan to my Pixels site for prints. This morning I uploaded said hi-res scan to my shop at RedBubble for the apparel and accessories, positioning the image just right for the clock. At some point, I will get myself one of those clocks … once I decide which artwork to have on it. I doubt I have enough wallspace for all the ones that look nice on that clock face, not to mention the amount of batteries I’d need to keep them all on the right time.
I started the firefly version, as alluded to above, by first testing the black gesso. It’s almost dry enough to start painting now!
I started a new art challenge today – and am actually blogging this painting the same day! Woohoo! It’s a start. This is a seven day challenge, with the theme being Halloween and/or Samhain (Celtic harvest festival). I have my reference photos picked out and cropped, and decided to start with half a dozen pumpkins in bright afternoon sunlight, laying on the brown ground. As an additional inspiration, I had my headphones on and was playing The Nightmare Before Christmas once I had the six squash sketched in place and began to add in the color.
I’ve mentioned before how sometimes it feels like the painting is just flowing out onto the paper or canvas, and this one certainly flowed out as I listened to the movie-musical. The weather has been rather dry here in Florida, so I didn’t need to wait long for the layers to dry, and I was done with the paint stage in about three hours – which is quite good considering I had to really layer the shadows.
As the caption states, the original is 12 by 9 inches watercolor paper, and it is sealed with wax medium to protect it from humidity. You can purchase it through PayPal via Daily Paintworks here. Prints both smaller and larger are available through my Pixels page here, and apparel and accessories are at my RedBubble page here. While I am at it, could I get a little link-love on the various social media platforms? I am only on Facebook, and to be honest I don’t really like it. I would not be surprised if the algorithm has a line of code to detect that … or they are just trying to extort ad revenue from anyone with a business page (no matter how small-time we are). When this challenge wraps up, I will be making a big announcement to hopefully get my name and art out there more.
This will probably be my only Halloween-specific painting I do this autumn, mainly because the local county tends to dress everything in pink for Breast Cancer Awareness month (and I have three aunts who have been through that!) but Halloween has always been one of my favorite holidays. Well, except the year I got chicken pox in third grade, but that’s irrelevant even though my mom might mention it in a comment.
My previous painting of the pumpkin in sunlight inspired me to do up a carved jack o’lantern. While I still made the effort the get the shading and light correct, this one is a bit more whimsical than realistic. This is actually the second painting, as I was not quite finished with my first attempt when I noticed the sheet of paper had a flaw where the paint just would not adhere … right on one of the teeth. Once I noticed it, I had to redo the painting, because it was a couple of white splotches that stuck out like stark white pieces of spinach, and the position of the flaws reinforced that.
So yesterday I cut the flawed sheet off the watercolor block, transferred the general outline to a new sheet, and went to painting it again. I think this one is actually a slight improvement over the first, and I have the general feeling that this painting is fun to look at, in a very Halloween way.
Now, for all the links for those who are interested in owning either the original or prints or apparel (because it makes for some awesome shirts, and even more awesome face masks!). The original can be purchased either directly from me or through Daily Paintworks through PayPal. Prints and one style of masks are available through my Pixels page. For this image printed on all kinds of apparel and accessories, see my page at RedBubble.
Occasionally, a bit of artistic magic happens and the art piece just flows out onto the paper or canvas. That happened yesterday, and the result is a return to my watercolor paints, and what can best be classified as a still life, as it is a pumpkin in the sunlight.
I must confess to a fondness for drawing and painting squash. That will probably be obvious as time goes on, but I think the skin on squash is visually interesting. It gets even more interesting when you slice it open and reveal the flesh, pulp, and seeds, like in my charcoal drawing of a quartered squash with a wedge. Since I felt inspired to play with color yesterday, the focus visually was more on the orange of the pumpkin skin and how the sunlight and shadows modified the color.
Believe it or not, I started this painting with blue – indanthrene blue, to be exact. I only left the one corner of that blue uncovered, but it is lurking in the bottom-most layer of the shadows. I only used two oranges: a bright, cheerful yellow-orange, and a strong, vibrant red-orange. I actually used more colors on the stem than the pumpkin flesh, but part of that was trying to tweak the tan.
Now, for the reveal:
I couldn’t think of a more-original title than “Pumpkin Close-Up,” but perhaps I used all the creativity getting the shades of the skin just right to look like October sunlight is hitting this symbol of autumn. I suppose whoever buys the original can rename it. At 14 by 10 inches, this is actually my largest watercolor painting to date, though I would like to go a bit larger once I can put together a cat-free zone. I still have not forgotten finding a cat’s-paw print on one of my early watercolor exercises.
For those who would like this painting but in a different size, prints are at my Pixels store … along with jigsaw puzzles. I think this would be a fun puzzle to put together (in a cat-free zone, of course). My RedBubble store also has a puzzle option, along with apparel and other accessories. Finally, if you are the person who wants to put the original on your wall, you can purchase it through Daily PaintWorks and PayPal. Oh, the original does NOT have the domain name on it – that is something I add to the scan because I know image “borrowing” is almost as old as the internet itself.
I am starting to list my original paintings on the site Daily PaintWorks for additional exposure as well as making it a bit easier to handle the business side of selling online. First listed is the 10 by 8 inch watercolor, Monarch on Coneflower. Prints will still be available through my Pixels store, and apparel and accessories through RedBubble, even after the original is sold. I’ll be uploading an available original painting at DPW each day for the next month, as they offer a 31 day free trial, and I am still looking for my “place” on the internet where my art will do best.
I am finally getting to the final image from the black and white challenge, which ended up being a photograph I took in early July of my husband’s jalapeno plant, cropped, straightened, and with the color taken out. I had a busy day out of the house that day, running errands up in Palatka, and was tired both physically and mentally once I got home. I really was not happy with the result, and immediately planned to redo it and replace the image with something better, something more “me” than a cluttered and busy photo.
That something else ended up being the very next challenge, which I started with the Calla Lily painting in acrylic. Since the theme for the next challenge was “anything goes,” I figured to do up three images from the black and white challenge in color, using acrylic paint since I could use the practice with that medium.
Some days, the paint just flows perfectly, and the painting comes together “like magic,” as the saying goes. Then, there are days when I feel as though I am fighting every step of the way … and the first day of this painting was definitely a struggle. I blocked out the position of everything easily enough, but my first stab at the background color turned out too purple, so I mixed up some more paint and tried again, with this time being too light a blue. Then, when that dried, I noticed I did cover the too-violet paint well enough in some spots, so I went over it a third time, using the paint straight from the bottle. Then, I turned my attention to the green leaves and stems.
At the time, I only had two shades of green at hand, and neither one was dark enough to be a good jalapeno green. I tried mixing, but at this point it was time to put the critters up for the night and I was frustrated enough I needed to suppress the urge to throw the canvas across the room. That’s usually a clear sign to stop working on it, and try again the next day. So, this painting knocked me out of the short, three-day “anything goes” art challenge, which requires one completed work each day of the challenge. Dropping out of a challenge is only a minor disappointment for me, and one I actually prefer to posting up something I don’t like.
After officially dropping out, hubby was home and asked me what part of the painting had me so frustrated. When I got to the part about not having a good green, he started digging around his bunch of paint (he has used this brand for several years now) and started pulling out half a dozen shades of green for me to choose from. Then he remembered some blending medium that slows drying time that he tried but doesn’t use often, and also a wet palette setup to keep the paint you mix up on the palette from drying while you work.
With the expanded selection of greens available the next day, this painting came together so much easier! This one I actually like, and it is currently on display at El Amigo Mexican Restaurant – because that really is a perfect place to display a painting of a jalapeno plant that has a couple white blossoms, one dark green fruit, and two ripe red peppers (when jalapenos turn red, they are called chipotles). This particular painting may not be perfect (and to be honest, it isn’t because I can spot mistakes) but I like it much better than the photograph.
I’ll likely do a similar painting, or maybe recrop the photo for a more close-up view of it, and hopefully it will have fewer mistakes and be less frustrating. For those who may want a print either larger or smaller than the original 11 by 14, check out my Pixels store. If you want this printed on apparel or swag, look here on RedBubble. For the original, you can email me (“artist” at this domain) or message me on Facebook – or call the number on my business card at the restaurant.
The working title for this is Garlic and Chives, and it is an acrylic still life on a black 10 by 8 inch stretched canvas. I am working from a reference photo, and I have been stuck at this stage for about a week. Something seems a bit off, and I am still not quite sure what. Part of the challenge for this is the reference photo has two light sources out-of-frame, which throws odd but interesting shadows.
I am feeling a bit frustrated with the very narrow range of reference photos for garlic as a still life subject. Most of what I have found is lighted for photography (duh) which is actually not so good for painting. In painting, especially a still life, you want dramatic lighting with definite contrast between the lit highlights and the shadows – in art jargon, a high contrast in values. The test I use is to take all the color out of a potential reference photo and see how it looks in greyscale (also commonly called black and white).
What seems to be the obvious solution to the lack of good reference photos – set up my own still life arrangement and paint it from life – is not so simple when you start to play around with trying to light it. Most artists who do this on a regular basis have a box and specific lamps to get the desired effect … oh, and usually a cat-free studio. That is my dream: a cat-free studio, with windows that are high up on the walls, with the right lamps to cast the right shadows. Until I attract a wealthy patron, or get a winning scratch-off lottery ticket, it is still in the realm of dreams. But hey, everyone needs to have a dream for what the end goal is.
I did both of these pieces from the same reference photo, and both turned out nicely in my opinion. I worked this drawing first as the sixth in the black and white challenge, done on 9 by 12 inch black paper with white colored pencil. I included as much detail as I could, keeping the pencil point sharp to even get most of the dew drops on the white petal while trying to capture the light and shadow.
As the black and white series progressed, I found myself enjoying these white on black drawings a lot when I chose a good subject for it. I will be returning to this medium for more white flowers in the future, with and without additional colors.
As I’ve noted in the caption, the original work is available (unframed). I will ship (packing and shipping costs are extra) so if you want the original, you can message me on Facebook, or email me direct (artist at this domain). If you prefer a larger or smaller print, those can be ordered at my Pixels store, while apparel and accessories are at RedBubble.
I will likely be revisiting this particular reference photo for more work … as I already have. The art challenge immediately after the black and white challenge was “anything goes” in terms of theme or subject, and I wanted to redo the calla lilies in color on black canvas, using acrylic paints since they do dry quickly enough to scan the same day. I chose this particular photo reference for my first painting, and had two 8 by 10 black canvases gessoed to my desired smoothness prior to the challenge starting. On that first day of the new challenge, the painting flowed smoothly from my brush with ease.
I think 8 by 10 is going to be the smallest I paint for now. I know some artists love working on a small scale, but I must confess to dreams of working on LARGE canvases at some point in the future. That will likely involve a cat-free studio space, so for now 18 by 24 inches is probably my upper size limit, while 8 by 10 looks to be the smallest I can be happy doing.
For the acrylic on stretched canvas, the original is available, again you can either message me on FB or email me directly. Prints large and small are at my Pixels store, while swag is at RedBubble. I should probably mention that the image I uploaded to both print sites is the original high-resolution scan, without the domain name on it. I am going to be putting the domain name onto all my smaller and lower resolution images because the battle of image theft is about as old as the internet is. I should have done it as soon as I got this domain name.