Tag: fruit

Strawberries and Bananas: finishing the watercolor still life series

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For the official final painting in my watercolor still life series I call the “going bananas” series, I decided to finally tackle some strawberries. It makes sense to my weird brain – I love that flavor combination, so why not draw and paint the two together? Famous last words, y’all ….

collage of the reference photo and my finished watercolor painting Strawberries and Bananas

Choosing a reference photo and making changes to it

Choosing the reference photo was not difficult. I saw this one with the two bananas encircling four strawberries, and loved the layout and how the light and shadows played. What I simply did not like was that background color. Setting the fruit on any red was a bad idea (to my eye) as that overwhelmed the strawberries. So I took the color out of the reference photo and began working on the sketch.

collage of the reference image in grayscale and my preliminary sketch for Strawberries and Bananas from my sketchbook
ref photo and preliminary sketch from my sketchbook for Strawberries and Bananas

As y’all can see, I do use a 3 by 3 grid to do my sketches. This keeps me from starting in the center and then going off the right edge like I used to do all the time. That was a big weakness I had from as long as I could remember. I just can’t explain why I didn’t start using a grid sooner than I did. It was probably the same reason I didn’t start using transfer paper until this past year – the mistaken belief that I shouldn’t need it if I am a “real” artist. I guess there really is something magical about turning fifty, in that I can now laugh and say I don’t care what others think.

Coloring it in (with watercolor paint)

Once I had the basic lines transferred to my paper, it was time to play with color! The two bananas were no problem, especially since this was the third day in a row for painting the yellow fruit. I just kept using the same tubes of yellow. Seriously, why change it up when I was satisfied with what has been working?

I decided I wanted the background to be purple, but first I tried a lighter and redder shade called Cobalt Violet. Even after it dried, it looked too pale and far too pink. So, back to the dioxazine purple. Again, if it ain’t broke, don’t try to fix it.

For the strawberries, first I laid down a base layer of red. Then I went to work on all that green, trying to catch the shadows to make it look three dimensional. It was while I was working on the strawberries that my back started to really hurt. Since this was the finale of the series, and no one had dropped out of the art challenge yet, I had to get to some semblance of done. I gritted my teeth and painted on.

third painting in my watercolor still life series I call "Going bananas"
third painting of my watercolor still life series exploring the shapes and color of bananas

Links to purchase!

If you have the perfectly-sized blank spot on your wall to accommodate the 9 by 12 inch original watercolor painting, then head to my Daily PaintWorks gallery and purchase through them. Trust me, it will be easier than getting my attention when I am in the art zone. If you need a different size, you can order from as small as 6 by 8 inches up to as large as 45 by 60 inches through my Pixels shop. They also have some good swag, and I’ve heard they’ve improved their jigsaw puzzles.

Going Bananas and Oranges: More still life in watercolor

Published on by kmgunnart3 Comments

Second in my still life watercolor paintings series I am doing as part of a short art challenge is this unimaginatively titled work, Bananas and Oranges. As previously mentioned, the challenge was to do three new artworks in three days, all focused on the theme of banana(s). Since I had considered doing some bananas as still life subjects, I jumped on it with my watercolor paints at the ready.

collage of reference photo and my watercolor still life painting Bananas and Oranges
reference photo and watercolor painting of my still life Bananas and Oranges

Using my artistic license to make the still life more traditional

While I was able to find a reference photo to work from, I was much less impressed with the color choices the original photographer made. While I loved the dark background and shadowed surface, I detest the red bowl. It is jarring to my eye, especially next to the oranges in the bowl. So, I needed to pick a different color for that bowl. Should I make it white (very traditional) or a complementary color like purple or blue? Since I was not feeling a white bowl, I decided to make the bowl one complementary color with the background being the other.

In-progress scans

This piece didn’t flow as easily as the first one did, but after I blocked out the sketch, transferred it to watercolor paper, and got the background painted a lovely deep Prussian blue – and got scans of those two steps – I slipped into “the art zone” and didn’t stop until suddenly it was finished. I really did mean to get more scans of the stages! It’s just that once I am in the zone, I don’t think of anything else but the work in front of me.

collage of the in-progress stages of my watercolor still life painting Bananas and Oranges
the two stages of my second bananas painting: the main sketch and the background

Painting the bananas and oranges

Contrary to most watercolorists, I like to start off with the darkest shadows. I know the conventional wisdom says to work from light to dark, and I have certainly tried that the first couple years. This series of paintings, I decided to try doing it “backwards.” Long story short – I prefer it. It even helps me get my shadows deep enough. Since this was basically a repeat of the subject matter, I just used the same colors as the day before. Once again, I was pleased with the color.

food-themed still life make a wonderful accent for decorating
Bananas and Oranges still life printed on a tote bag
someday my watercolor paintings may hand in a museum like this
fruit still life watercolor painting Bananas and Oranges framed and hanging over the dining table

Links to purchase the original painting and art prints

How can you purchase this artwork? If you have the right space for the 9 by 12 inch original watercolor (on paper) painting, get that through my gallery at Daily PaintWorks. If you want larger (or even smaller) sized prints, you can order from 8 by 6 inch all the way up to 45 by 60 inches from Pixels here. For my mother and sister, who prefer to wear my art, there are several apparel options along with home accessories with this image printed on them in my RedBubble shop.

Today is National Farmers Day: Celebrating with farm-themed art

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Apparently, October 12th is National Farmers Day, as well as still being Columbus Day. Up until this morning, I had never heard of this, but y’all can be assured it is now officially on my calendar! Ever since I was a small girl, I wanted to be a farmer. In addition to my attempts at gardening and mad tree-planting sprees, I also raise (working) dairy goats, rabbits, and chickens. What better way to celebrate my new favorite holiday than with farm-themed art?

Hayfield Art

So far, I’ve done two paintings featuring hayfields: my Sunset Over the Hayfield in oil pastel, and the watercolor sketch Make Hay While the Sun Shines. Since I live at the dead end of a dirt road in a very rural corner of a rural county, hayfields are a common sight whenever we drive anywhere. There is just something about a field full of hay bales that gives me a warm and happy feeling in the depths of my soul. Round or square, though round are definitely the locally preferred format, I love to see hay bales sitting in a sunny field.

in-progress photo of my oil pastel landscape Sunset Over the Hayfield
watercolor sketch Make Hay While the Sun Shines

Produce artwork (fruits and vegetables)

While our property came with two mature Asian pear trees, we’ve added to that list a LOT in the decade since moving in: lemons, limes, oranges, sweet kumquat, dwarf pomegranate, an olive tree, and this year added two grapefruit and two fig trees. I still want to plant a couple of Barbados cherry trees, some true date palms, Indian/silver date palms, and pindo (jelly) palm trees. My husband also started growing moringa trees from seed this summer. Even more interesting, we discovered someone at some point in time planted a pink dwarf banana tree in the back of our property – I looked it up and those are native to Asia. The wildlife got our bright pink bananas this year, but now we know it’s back there, so perhaps next year we’ll get to eat some.

All that preamble to explain why fruits and vegetables are high on my list of favorite things to draw and paint when I want to do up a traditional still life piece of art. I’ve even gone to the grocery for the sole purpose of getting picturesque produce to do a photo shoot the other year. (For the record, only half of those photos were in focus, which is why I am not a photographer.)

I intended to post all of the produce-themed still life drawings and paintings here … but that is quite a lot of artwork! Instead, I’ll direct you to the category page – click here for the fruit and veggie still life. Even if I can’t grow it this far south, I can still buy and paint it.

Livestock Artwork

This category I do more than I draw or paint. Y’all have been treated to photos and stories about my goats, but I’ve only shared one drawing of one goat so far. It’s on my list of subjects to feature more, along with the chickens and rabbits. I’ll be doing more of that over the dark season, because we browsed the selection of farm animal T-shirts on Amazon and I was NOT impressed with what is out there. The obvious solution to my creative mind is to make my own! I do have my produce-themed art on apparel over at my RedBubble shop. Stay tuned, because I’ll probably do a rabbit first.

drawing of our goat Prim in tinted charcoal
sketch in tinted charcoal of our big girl, Prim

Celebrating National Farmers Day with art

I’ll need to wrap this up, because the charcoal pencils are calling to me to get to today’s drawing session. If I had known prior to this morning, I could have had something to paint, but right now I am quite content with just posting here to the art blog for this year’s short-notice celebration.

Next year, though, I will be pulling out the stops! Happy National Farmers Day to everyone, and have an art-full day.

Going Bananas: New 3 day still life art challenge

Published on by kmgunnart4 Comments

I could not resist jumping in on a quick three-day art challenge over on Fine Art America’s artist discussion board. Like most of the art challenges over there, this one has a theme: banana(s). I have thought about doing a series of banana-themed fruit still life like my Apples and Oranges series for a while, so I figured this was my cue to just do it. Just to be cute, I am calling this short series “Going bananas!” and intend to execute it in classic still life format as I see it.

graphic collage of the reference photo of bananas I used for my still life watercolor painting for the short art challenge
reference photo of bananas I used to make my still life watercolor painting

(I should note that I have not abandoned the 100 faces challenge. I am only taking a quick side-quest, as the DnDers would say. I’ll also say that I successfully completed the challenge, and just need to get caught up on blogging it.)

Finding paintable reference photos

I’ve probably mentioned before that what makes for a good painting reference is not always what makes a good photograph. Hunting up some reference photos to use proved that – most have softer lighting so the subject can be seen as well as a two-dimensional image can allow. A good painting, on the other hand, works best with dramatic lighting, with a single light source ideally. Dramatic lighting produces dramatic shadows, which a lot of photographers seem to avoid. I did manage to find three photos with a more or less classic still life arrangement … and one that is more of a wild card that I may do as a bonus.

Setting some clear objectives

I wanted to do this short (and fun) art challenge with some pre-defined objectives, which is military for goals. (The cranky old Army sergeant in me still rises to the surface from time to time.) I knew I wanted to do somewhat traditional fruit still life paintings, so that cried out for a mostly-traditional medium. Since I hadn’t used my watercolor paints in quite a while, this seemed the perfect excuse to work in watercolor. I did choose to use more modern pigments, and am happy with the results.

Since only one of my reference photos had anywhere near the level of drama in its lighting, another objective was to see if I could adjust for that on my paper.

My final objective was to utilize complementary colors: the obvious yellow/purple, but also some red/green where I could.

Painting the bananas in my still life

With my objectives in mind, I went to work. This first painting simply FLOWED from first my pencil, then my paintbrush. It was one of those days when every step went smooth as silk. In fact, I started the sketch at approximately 1030 and was waiting for the paint to dry so I could scan it before 1530! Only five hours from start to finish, including drying time, is a quick and easy watercolor painting for me.

graphic of my watercolor still life painting simply titled Bananas, in the square format sites like Instagram love so much
square graphic of my watercolor still life I simply call Bananas

Hubby says he loves how the green looks on the bananas, with the comment that this small bunch looks exactly like what I search for in the grocery store – still a touch green. To contrast with the green, I chose to paint the plate as a reddish wood, instead of the really light color in the photo.

Overall, I am VERY pleased with how this one turned out. I feel I nailed both the color and the lighting, though I should probably at some point practice painting wood grain, as that is the only part that I think needs improvement. It scanned even better than it looks in person (to my eye; hubby disagrees) which is unusual for my work. Personally, I think my painting is better than the photo I used for reference.

All in all, a good start to this new art challenge.

How to purchase!

If you have the right space for the 9 by 12 inch original painting, then click over to the listing at Daily Paintworks to handle the transaction. It’s likely quicker than trying to hunt me down when I am in a mood to be unplugged.

Need a bigger and bolder version? I have art prints available through my Pixels shop ranging from as small as 8 by 6 inches to as large as 60 by 45 inches, so that should cover most walls quite nicely. You can also get jigsaw puzzles through this link.

Want to wear my art, like my mother and sister prefer? Click through to see the options at my RedBubble shop. There are also some home accessories – and yes, my favorite is still the analog clock.

I made a video of this post

Check it out on YouTube, give it a like and share!

Bananas – Behind the Art with Katrina Gunn

Apples and Oranges 2 still life in soft pastel

Published on by kmgunnart9 Comments

After the first still life art in watercolor, I decided day two simply needed to be in soft pastel. Not only because I haven’t recently played with my “dusties,” as I call them, but I also bought a sample pad of Clairefontaine’s Pastelmat, an expensive but highly recommended paper for soft pastels and pastel pencils. I figure an art challenge is a good excuse to try something new, so the apples, oranges, and bowl still life composition needed to be worked up in dusty pastel.

Apples and Oranges 2 still life art in soft pastel
Apples and Oranges 2, still life in soft pastel shown framed and hanging above a kitchen table

Selecting my reference photo

Once again, I looked through the set of photos I took back in October of 2021 for the right one to use as a reference. I almost didn’t pick this one, as I wasn’t sure at first how well the composition would work with the fruit mostly in a line like this. In the end I figured, “Why not?” This is for an art challenge and that is permission to try things that seem uncertain. So here is the cropped version of my reference photo, featuring the apples, oranges, and bowl mostly in a line.

reference photo of fruit for still life on my kitchen table - focus is a bonus when it comes to and photos!
my reference photo of a line of fruit including the white bowl on my kitchen table

Once again, I consider focus to be a bonus feature, and not a requirement. I am most interested in the shapes and shadows for a reference photo of familiar objects. (We got very familiar with these subjects when we ate them!)

Working the still life in soft pastels

I did my basic sketch directly onto the sheet of Pastelmat, as I know I am able to cover up the light graphite lines with the dusties. Soft pastel in particular tends to be quite opaque, so I felt confident as I sketched in the main shapes after lightly gridding the sheet. I had decided before starting that I would “edit” out the background of the photo in favor of more stylized colors behind the apples and oranges. In fact, I also planned to omit the towel and pepper grinder as well, choosing to focus only on the fruit.

First the oranges

I worked on both oranges first, mostly because I knew I would need to turn the mat this way and that to keep from accidently smudging the soft pastel. Actually, I started with a reddish tone they call sienna, not wanting to deal with trying to completely cover a stark white sheet. I used my Mungyo Gallery soft pastels for the blocking in, and even for the shading. My intention had been to use my Stabilo CarbOthello pastel pencils to add in details at the end, which turned out to be barely needed as the Mungyo set worked wonderfully with the Pastelmat.

The three apples in the bowl

Since I had made the previous day’s apples straight red instead of the variegated red and green they actually were, I decided to keep that for this version of the still life series so they look like a cohesive set of pictures. As I worked the color into first shapes then forms, I found myself enjoying the process of laying down dry pigment onto the expensive heavy paper. By the time I had the apples in the bowl looking like red apples in a white bowl, I made the decision that I will only be buying Pastelmat for my soft pastel paintings and drawings going forward.

Coloring the table for the fruit and the background to complement the colors

I had no intention of leaving these apples and oranges to float in a colorful ether, so after I was satisfied with the fruit it was time to color in a table for it all the set on top. A couple broad strokes in brown accomplished the illusion of a table with shadows. I then turned my attention to the background. Getting the background color right was actually a critical component of how successful this composition would be! I needed just the right combination of blue and green, blended just enough to be harmonious but still dynamic enough to stay interesting. It is a fine line, but I think I am getting more familiar with where that line is on each piece.

Apples and Oranges 2, second in a series of still life paintings featuring fruit in a bowl, soft pastel on Pastelmat, 24 by 30 cm
Apples and Oranges 2, soft pastel on Pastelmat paper, 24 by 30 cm $100 USD

Links to purchase original artwork and prints

Now for the part y’all have been waiting for: links to buy. The original is on paper made in Europe, which means they measure in centimeters, so if you purchase the 24 by 30 cm pastel piece you will need to have it custom matted to fit standard US frames. The long side is 11 -7/8 inches, while the short side is 9-7/16 inches, so neither measurement will work for a 9×12 inch frame or mat. It’s worth it though! The Pastelmat holds the dry pigment surprisingly well. Seriously, I’ve been playing with pastels off and on since I was seven, and this stuff is the best I’ve ever worked on in over forty years of making dusty, colorful messes.

For art prints, I recommend my Pixels shop. There is a good variety of surface to choose from, and you can get it matted and framed as well if you like. Shipping might seem a bit steep, but the quality of product is high.

If you prefer to wear your art like my mother and sister love to do, then I recommend my shop at RedBubble for the wide variety of apparel styles. I’m also partial to the analog face clocks, even though I definitely do NOT have enough wall space to hang even half of the ones I like. The struggle is real.

Apples and Oranges 2 as an analog clock
Apples and Oranges 2 as a clock

And this concludes the second in my short series of fruit in a bowl for the three work art challenge. If anyone thinks my method of naming to be boringly bland, you have permission to rename it if you purchase the original. Meanwhile, I’ll continue to refer to this still life in soft pastel as simply Apples and Oranges 2.

And with that, I wish everyone a happy new year, and I’ll be back in 2023!