Calla Lilies in oil pastel this time

If this image of my most-recent calla lilies painting looks familiar, it’s because I used the same reference photo as I did for the tinted charcoal calla lilies drawing over the summer (of 2022). This time I flipped the image (reversed it) so the front calla lily opens the other direction, and then I omitted the third flower in the back. I did this one in oil pastel, and I really do love working with my oil pastels, so of course it just made sense to do a calla lilies piece with them.

mockup of Calla Lilies 4 framed and hanging on a wall
mockup of this oil pastel art piece framed and on a wall

Also, I used my Arches oil paper for the first time on this piece, and love it. It is not a standard size, even in metric, but I figure Arches does that to give a bit of room to tape the paper to a board if that is how you like to work. It’s likely meant to be practice paper for oil paints.

First, a quick confession: I did this over a year ago, as you can likely tell from the date on the signature. It is now almost a year and a half later that I finally get to writing it up. Maybe I’ll do better in 2024? It could happen.

In-progress photos

Since I decided to flip the original image, I needed to do the basic drawing from scratch again – which is not a hardship for me. I did my usual 3 by 3 grid to make sure everything fits on the page as I want it to do, and then started on the background because that would still be my darkest dark on the image. First I used my darkest purple, then my darkest blue.

starting the calla lilies painting with the dark purple background
starting with a dark purple background to contrast with the white calla lilies

I seem to be missing a couple or more in-progress snapshots. I was so certain I had more, but not even Windows 10 search can find them. To summarize the missing photos, I worked on the greenery after the background, then worked on the flowers last. Then I went over everything again, to even up how thickly I put the oil pastel on – especially for the calla lilies.

Calla Lilies 4, two white calla lilies in oil pastel on blue-purple background with green leaves and stems.
Calla Lilies 4, oil pastel on oil paper, original available

Purchase the original artwork or get art prints

As of posting, the original artwork is available to purchase through Daily Paintworks, which handles the transaction through PayPal and just makes it easier on both of us. The actual size is 31.0 cm by 41.1 cm, which is approximately 12-3/16 inches by 16-3/16 inches. Not a standard size here in the US, so it will likely need a custom matting to fit a standard frame or a custom frame if you aren’t fond of using matboard. I sealed this piece with matte finish Mod Podge to prevent smearing.

For art prints, I like Pixels which is part of Fine Art America. You can order a wall print from as small as 6 x 8 inches up to as large as 43 x 60 inches. It is also available on various home decor items, stationary, and of course puzzles. If I had a cat-free zone, I would happily get puzzles of my artwork, but more on that thought later.

Apparel and accessories with this art printed on them

When it comes to artwork on apparel, my mother and sister both like Redbubble’s print shop. They have a lot of options available, and since this pastel painting is vertically aligned, it fits on most of them. When my sister said she was trying to decide which apparel product to get this image printed on, I whipped up a simple vertical video to hopefully help her choose. She ended up buying the A-line dress.

Just a cute vertical video to highlight the RedBubble apparel products I like best

Strawberries and Bananas: finishing the watercolor still life series

For the official final painting in my watercolor still life series I call the “going bananas” series, I decided to finally tackle some strawberries. It makes sense to my weird brain – I love that flavor combination, so why not draw and paint the two together? Famous last words, y’all ….

collage of the reference photo and my finished watercolor painting Strawberries and Bananas

Choosing a reference photo and making changes to it

Choosing the reference photo was not difficult. I saw this one with the two bananas encircling four strawberries, and loved the layout and how the light and shadows played. What I simply did not like was that background color. Setting the fruit on any red was a bad idea (to my eye) as that overwhelmed the strawberries. So I took the color out of the reference photo and began working on the sketch.

collage of the reference image in grayscale and my preliminary sketch for Strawberries and Bananas from my sketchbook
ref photo and preliminary sketch from my sketchbook for Strawberries and Bananas

As y’all can see, I do use a 3 by 3 grid to do my sketches. This keeps me from starting in the center and then going off the right edge like I used to do all the time. That was a big weakness I had from as long as I could remember. I just can’t explain why I didn’t start using a grid sooner than I did. It was probably the same reason I didn’t start using transfer paper until this past year – the mistaken belief that I shouldn’t need it if I am a “real” artist. I guess there really is something magical about turning fifty, in that I can now laugh and say I don’t care what others think.

Coloring it in (with watercolor paint)

Once I had the basic lines transferred to my paper, it was time to play with color! The two bananas were no problem, especially since this was the third day in a row for painting the yellow fruit. I just kept using the same tubes of yellow. Seriously, why change it up when I was satisfied with what has been working?

I decided I wanted the background to be purple, but first I tried a lighter and redder shade called Cobalt Violet. Even after it dried, it looked too pale and far too pink. So, back to the dioxazine purple. Again, if it ain’t broke, don’t try to fix it.

For the strawberries, first I laid down a base layer of red. Then I went to work on all that green, trying to catch the shadows to make it look three dimensional. It was while I was working on the strawberries that my back started to really hurt. Since this was the finale of the series, and no one had dropped out of the art challenge yet, I had to get to some semblance of done. I gritted my teeth and painted on.

third painting in my watercolor still life series I call "Going bananas"
third painting of my watercolor still life series exploring the shapes and color of bananas

Links to purchase!

If you have the perfectly-sized blank spot on your wall to accommodate the 9 by 12 inch original watercolor painting, then head to my Daily PaintWorks gallery and purchase through them. Trust me, it will be easier than getting my attention when I am in the art zone. If you need a different size, you can order from as small as 6 by 8 inches up to as large as 45 by 60 inches through my Pixels shop. They also have some good swag, and I’ve heard they’ve improved their jigsaw puzzles.