Pumpkin Close-Up still life watercolor

Occasionally, a bit of artistic magic happens and the art piece just flows out onto the paper or canvas. That happened yesterday, and the result is a return to my watercolor paints, and what can best be classified as a still life, as it is a pumpkin in the sunlight.

I must confess to a fondness for drawing and painting squash. That will probably be obvious as time goes on, but I think the skin on squash is visually interesting. It gets even more interesting when you slice it open and reveal the flesh, pulp, and seeds, like in my charcoal drawing of a quartered squash with a wedge. Since I felt inspired to play with color yesterday, the focus visually was more on the orange of the pumpkin skin and how the sunlight and shadows modified the color.

Believe it or not, I started this painting with blue – indanthrene blue, to be exact. I only left the one corner of that blue uncovered, but it is lurking in the bottom-most layer of the shadows. I only used two oranges: a bright, cheerful yellow-orange, and a strong, vibrant red-orange. I actually used more colors on the stem than the pumpkin flesh, but part of that was trying to tweak the tan.

Now, for the reveal:

Pumpkin Close-Up, 14 by 10 inch watercolor painting on paper, available $140 USD (shipping extra)

I couldn’t think of a more-original title than “Pumpkin Close-Up,” but perhaps I used all the creativity getting the shades of the skin just right to look like October sunlight is hitting this symbol of autumn. I suppose whoever buys the original can rename it. At 14 by 10 inches, this is actually my largest watercolor painting to date, though I would like to go a bit larger once I can put together a cat-free zone. I still have not forgotten finding a cat’s-paw print on one of my early watercolor exercises.

For those who would like this painting but in a different size, prints are at my Pixels store … along with jigsaw puzzles. I think this would be a fun puzzle to put together (in a cat-free zone, of course). My RedBubble store also has a puzzle option, along with apparel and other accessories. Finally, if you are the person who wants to put the original on your wall, you can purchase it through Daily PaintWorks and PayPal. Oh, the original does NOT have the domain name on it – that is something I add to the scan because I know image “borrowing” is almost as old as the internet itself.

White Rose: floral close-up in white on black

Continuing with the artwork I did for the black and white challenge, after doing the bald eagle head study, I decided the white pencil on black paper technique works best for drawing white flowers. When I shared yesterday’s White Cosmos post on Facebook, my mother remarked that the petals of the flower have an almost transparent illusion to them, which seems to confirm my impression. (side note: I cannot see where or how to link to an individual FB post, which is a big reason I like blogs so much better.)

As promised in this post title, day four of the black and white challenge is a white rose, rendered in white pencil on black paper, and in a close-up that goes beyond the frame of the picture. I found this one to be almost meditative to draw and lighten, and while I did not push the highlights too bright, I took care to work on the light coming through the petals in a “glow” appearance. I was not trying for a translucent appearance with the cosmos’ petals, but that was exactly my goal for these delicate rose petals.

White Rose, 12 by 9 inches, white pencil on black paper, original available $80 USD

If the lines of this rose seem a bit familiar, it is because I used the same sketch from the same reference photo as I did for my watercolor painting, Electric Yellow Rose. I reversed – or mirrored, or flipped – the image, which was simply a matter of pulling that page out of my sketch book and holding it up against the window to draw it on the back of the sheet before transferring it to the black paper. Sometimes I want to explore an image in multiple media, so I try to make small changes to it so no two are exactly identical. I guess you could call this a fair warning, as I absolutely love this particular reference photo and will probably do it in acrylic, pastels, maybe charcoal, and definitely in oil paint at some point. The shadows and shapes and play of light on and through the petals is just so visually interesting and even fun to wrestle onto paper (or canvas, soon).

The original drawing is currently available, so drop me a message on Facebook or email me (artist at this domain) if you are interested, and yes I will ship (shipping and packing charges additional). If you want a print either smaller or larger than the 12 x 9 inch original size, you can order those through my Pixels store. For those who prefer to wear their art, or have it on household items, click through to my page at RedBubble to get it on various swag.