Author: kmgunnart

Going Bananas: New 3 day still life art challenge

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I could not resist jumping in on a quick three-day art challenge over on Fine Art America’s artist discussion board. Like most of the art challenges over there, this one has a theme: banana(s). I have thought about doing a series of banana-themed fruit still life like my Apples and Oranges series for a while, so I figured this was my cue to just do it. Just to be cute, I am calling this short series “Going bananas!” and intend to execute it in classic still life format as I see it.

graphic collage of the reference photo of bananas I used for my still life watercolor painting for the short art challenge
reference photo of bananas I used to make my still life watercolor painting

(I should note that I have not abandoned the 100 faces challenge. I am only taking a quick side-quest, as the DnDers would say. I’ll also say that I successfully completed the challenge, and just need to get caught up on blogging it.)

Finding paintable reference photos

I’ve probably mentioned before that what makes for a good painting reference is not always what makes a good photograph. Hunting up some reference photos to use proved that – most have softer lighting so the subject can be seen as well as a two-dimensional image can allow. A good painting, on the other hand, works best with dramatic lighting, with a single light source ideally. Dramatic lighting produces dramatic shadows, which a lot of photographers seem to avoid. I did manage to find three photos with a more or less classic still life arrangement … and one that is more of a wild card that I may do as a bonus.

Setting some clear objectives

I wanted to do this short (and fun) art challenge with some pre-defined objectives, which is military for goals. (The cranky old Army sergeant in me still rises to the surface from time to time.) I knew I wanted to do somewhat traditional fruit still life paintings, so that cried out for a mostly-traditional medium. Since I hadn’t used my watercolor paints in quite a while, this seemed the perfect excuse to work in watercolor. I did choose to use more modern pigments, and am happy with the results.

Since only one of my reference photos had anywhere near the level of drama in its lighting, another objective was to see if I could adjust for that on my paper.

My final objective was to utilize complementary colors: the obvious yellow/purple, but also some red/green where I could.

Painting the bananas in my still life

With my objectives in mind, I went to work. This first painting simply FLOWED from first my pencil, then my paintbrush. It was one of those days when every step went smooth as silk. In fact, I started the sketch at approximately 1030 and was waiting for the paint to dry so I could scan it before 1530! Only five hours from start to finish, including drying time, is a quick and easy watercolor painting for me.

graphic of my watercolor still life painting simply titled Bananas, in the square format sites like Instagram love so much
square graphic of my watercolor still life I simply call Bananas

Hubby says he loves how the green looks on the bananas, with the comment that this small bunch looks exactly like what I search for in the grocery store – still a touch green. To contrast with the green, I chose to paint the plate as a reddish wood, instead of the really light color in the photo.

Overall, I am VERY pleased with how this one turned out. I feel I nailed both the color and the lighting, though I should probably at some point practice painting wood grain, as that is the only part that I think needs improvement. It scanned even better than it looks in person (to my eye; hubby disagrees) which is unusual for my work. Personally, I think my painting is better than the photo I used for reference.

All in all, a good start to this new art challenge.

How to purchase!

If you have the right space for the 9 by 12 inch original painting, then click over to the listing at Daily Paintworks to handle the transaction. It’s likely quicker than trying to hunt me down when I am in a mood to be unplugged.

Need a bigger and bolder version? I have art prints available through my Pixels shop ranging from as small as 8 by 6 inches to as large as 60 by 45 inches, so that should cover most walls quite nicely. You can also get jigsaw puzzles through this link.

Want to wear my art, like my mother and sister prefer? Click through to see the options at my RedBubble shop. There are also some home accessories – and yes, my favorite is still the analog clock.

I made a video of this post

Check it out on YouTube, give it a like and share!

Bananas – Behind the Art with Katrina Gunn

John Chapman Charcoal Portrait: face 3 of 100

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Moving right along in my attempt to get caught up on blogging my 100 faces art challenge is John Chapman, a portrait of a famous American folk hero done in traditional black charcoal. You might not recognize his real name, but you have probably heard his nickname: Johnny Appleseed. He was a colorful enough character to fill up a whole book, but I promise I’ll keep this short enough to still only be a blog post in length.

side by side comparison of the cropped reference photo on left and my charcoal portrait on right of John Chapman, better known as Johnny Appleseed
reference photo on left; my charcoal portrait on right

Better known as Johnny Appleseed

The main points about Chapman are fanciful enough to have earned him the colorful nickname of Johnny Appleseed, which started throughout what was then called the Northwest Territory while he was still very much in his prime as a man and as a businessman. Even by early 19th century American standards, he was considered a very eccentric character, though a lot of sources shy away from the reason behind that.

In fact, I was surprised that not only did my dad not recognize the name John Chapman, but he also had never heard why he was often seen barefoot with a cooking pot as a hat. For the record, my dad was a history major in college and has lived in Fort Wayne, Indiana (where Chapman retired to, and was buried) since the mid-1970s, so it is possible to not know that Johnny Appleseed was a devout follower of the Swedish Christian mystic Emmanuel Swedenborg.

Because Swedenborg was against grafting, Chapman planted as many apple seeds as he could and nurtured them. Another factor of his legacy lies in the requirements for making a homestead claim in the region: planting a fruit orchard – even a small one – was one of the major factors that would get the homestead claim approved. So, when Johnny Appleseed came into your area with several young apple trees, it just made sense to buy some and plant them near your home. Even though most wouldn’t be good for eating straight off the tree, all could be used in making hard cider.

Only reference photograph

I could find only one historical photograph of John Chapman, and that is this one taken sometime between his birthday in March and his day of death in September of 1845. The reason there is only one is quite simple: he achieved his local legend status prior to photography being invented and becoming available to the broader public. As was the style of early photo portraiture, the photo shows most of his body as opposed to being a close-up of his face.

John Chapman shortly before his death at age 70 in 1845 (better known as Johnny Appleseed)
John Chapman shortly before his death at age 70 (better known as Johnny Appleseed)

Portrait in black charcoal

I wanted my charcoal portrait to be only a close-up of his face, so some cropping of the original and enlarging was necessary. Then it was just a matter of gridding the crop and putting charcoal to sketchbook. I even made a cute collage showing the progression. U chose to use traditional black charcoal just because I liked the value contrast of his white hair against the black background.

two in-progress scans and finished portrait for Johnny Appleseed (real name John Chapman) showing the evolution of this charcoal drawing
evolution of my charcoal portrait of John Chapman

Applying the after-action-review process to my charcoal portrait of John Chapman

I learned a rather useful mental tool in my time in the army, the after-action review (of course we abbreviated that to AAR). The format for it was to first summarized what happened, then to discuss three things that needed improvement, and to finish up with three things that went well. I decided to apply this to all 100 faces I draw and paint for this challenge. I may not have all the points for an official AAR, but the general practice of finding thing that could be improved and finishing up with things done well is a very practical and valid learning method.

What could be improved

The big thing that jumps out at me when looking at the finished portrait is that I either drew or shaded his face too fat. His face in the original photo is lean from his years of voluntary austere living. I probably could have shaded his beard a little better. It looks fuller in my drawing than in the photograph. I also got the one ear too low, and did not notice until just today.

What turned out well

I am pleased that I was able to catch and correct the eye placement early enough that it didn’t mess up the portrait! Given that the paper does not tolerate much erasing, that is a big thing in my mind. I was also pleased with the overall look to this drawing: this is obviously an older man with white hair. Basically, he looks like a real person, so I am counting that as a win.

Newest portraits on Facebook

Just to let everyone know: I do post the newest face I am doing on my art page on Facebook because that is part of my accountability. My page is open to all the public, not just FB members, so other than Meta wanting you to login or sign up, you ought to be able to check there and see what I’ve posted most recently. I even post in-progress scans sometimes, like yesterday’s peek at my number eight.

Charcoal portrait drawing: Harriet Tubman and the 100 faces art challenge

Published on by kmgunnart3 Comments

I’ve been in a bit of a slump this year, as y’all may have noticed. In an effort to climb out of this slump, I decided the best way to accomplish that would be with an art challenge. Rather than wait for others to coordinate their schedules, I decided to challenge myself. For a couple years now, I’ve noticed the “100 faces” art challenge, and decided it was finally time to do that. Of course, I would be starting with drawing, and that means charcoal since I decided I just don’t love graphite anymore. I also decided to start the charcoal portrait drawing portion of the challenge with a personal hero of mine from when I was a kid.

collage of my reference photo of Harriet Tubman and my first two portrait drawings, one in traditional black charcoal and the other using a dark brown tinted charcoal
the start of my personal 100 faces art challenge and the historical photo I used as reference

The “100 Faces” art challenge

I actually haven’t seen much about the 100 Faces challenge as far as “rules” go, just that an artist needs to draw or paint 100 faces in whatever time frame. With such broad parameters, that left me free to make up my own rules. So, I decided I would do 100 portrait drawings and paintings, and I set myself an arbitrary deadline for the end of 2023. I decided I would officially launch this challenge on July 1st, so it would be a matter of drawing or painting 100 portraits of people in approximately 182 or 183 days.

I knew I definitely did not want to do the more rigid one drawing per day as my challenge, since that has tripped me up in more than one previous challenge. Sometimes, I just have a bad day when I feel as though I am fighting each stroke of the charcoal out onto the paper. There are even some days when I actually have plans that involve leaving the property! (We’ve really become such homebodies since the lockdowns.)

Finding reference photos for drawing portraits

The first criteria for using an historical photograph is to make sure we are as sure as we can reasonably be that the person in it is who we think that is. This may seem obvious, until you look up Billy the Kid and all the disputes about whether he is or is not in all but one photo.

I should probably also mention that the reference photo idea excludes quite a few historical figures simply because the technology had to be invented before it could be used. Again, that sounds so obvious, but does exclude anyone who lived and died prior to the 1840s. (this point will become important in the next post.)

I started my search at the Library of Congress website, and found my personal hero from childhood featured at that time.

Harriet Tubman, a personal hero

Original reference photo of Harriet Tubman, believed to have been taken in 1868
photograph of Harriet Tubman from Library of Congress website, listed as taken in 1868

I first learned about Harriet Tubman the year I was in third grade (if I recall right) by watching a documentary. At the time, I thought it was so cool to finally come across an historical figure who was a woman, and one remembered as being unusually brave. While I hadn’t taken very many history classes at that tender age of nine or ten, most of what I knew of history (Dad was a history major in college) was all centered around men doing brave things.

I actually started the first version of my charcoal portrait drawing prior to resolving to do the 100 faces challenge. I thought Harriet Tubman was the perfect subject for a portrait for Juneteenth, and intended to do the whole thing that holiday weekend. Something or other came up or distracted me that weekend, and I did not get the ball really rolling on that drawing until after the start of July.

Once I finally got rolling on it, the first portrait came together well enough. I discovered when trying to fix the one eye that this paper wasn’t an exact match to my previous sketchbook in that it did not take much erasing before it became noticeable (even though it was the same brand and specific type). So, I made a mental note that I would not be able to do much fixing of errors in this sketchbook and then moved on.

side by side comparison of reference photograph from Library of Congress and my charcoal portrait drawing of Harriet Tubman
side by side comparison of my reference photo and first charcoal portrait drawing

Recrop for a “closer” portrait

Once I realized I could not erase any section of paper more than once, I decided I wanted to do another version of this historical photograph. I wanted a closer crop of just her face for a more personal, intimate feel to the portrait. While the scan of the original photo is probably as high a quality as one can reasonably expect, there was still a bit of graininess to it by the time I cropped it down then enlarged it.

Since the photos from that general time period are often in sepia instead of grayscale, I thought I would have a little fun with the shades of brown in my tinted charcoal set for this second portrait. I’ve been trying to consistently post in-progress scans over on my Facebook art page, and after the first scan was posted I realized I needed to fix the features – the eyes were not even with each other and the line of the nose and mouth were off-center. Some careful erasing, and it was fixed “good enough.”

second charcoal portrait, this time drawn in brown tinted charcoal I simply call "Harriet" because it feels a little more personal, side by side with cropped reference photo
second charcoal portrait, this time drawn in brown tinted charcoal I simply call “Harriet” because it feels a little more personal

Traditional black charcoal versus tinted charcoal

Visually, the end results between the first portrait I drew in black charcoal and the second in a dark brown tinted charcoal are not very different. My very dark brown is extremely close to the traditional black, especially on the shadow areas where I tried to get it as dark as it would go.

The main difference in the “feel” of the medium comes down to how well the hard and medium black charcoal pencils hold a point, versus the softer tinted charcoal pencil. As I figure out on face number four, the tinted charcoal pencils really are not good for detail work and should be relegated to nondetail drawings or close-up portraits. It was an interesting idea, just one that didn’t translate as well as I hoped. Future portrait drawings in charcoal will be in the traditional black charcoal.

The goal of this art challenge

I have a very specific goal that I want to accomplish with this art challenge: I want to improve my people-drawing skills. I figure that by the time I get to my 100th face, whether it is a drawing or painting, I should see noticeable improvement over these first few efforts. I’ve been saying for a couple years now that I need to “knock the rust off” my people drawing skills I used to have, and finally decided to just knuckle down and do it.

The only way I will get better is by learning from my mistakes. The only way to make mistakes is to put medium to paper and “just do it,” as the old ad campaign said.

Feel free to follow along here on the blog – I will get caught up soon! – or on one of my social media accounts. I will definitely be posting to the FB page, as my friend Keashia is on Facebook and she has agreed to be my accountability partner on this project. As of writing this, I am on number seven – all charcoal portrait drawings so far, but I’ll likely try my pastels and paints at some point.

Spring time and baby goats

Published on by kmgunnart2 Comments

Springtime comes early here on the Florida peninsula, and the usual first sign on our property is the arrival of the goat kids. This year, the first baby goats were born on the 8th of February, a girl and a boy by Pepe (Le Pew) and Capri. Y’all may remember Pepe as the only boy from Francis’ triplets last February. I tell ya, kids grow up so fast these days.

Francis didn’t make me wait long at all before she kidded on the 11th. Only twins this time, and both boys … and they were almost the same size as Capri’s four-day-old twins. They were also both born hungry, and the firstborn – whom I am calling Fabio because he’s just such a handsome kid – was bottling even before he figured out how to keep himself standing.

All four of these adorably cute dirt monsters chug down the bottles like they are a high school football team. I have proof right here:

bottle feeding the goat kids at 1 week old

This year’s crop of kids (that grow as fast as the weeds out in the pasture!) is my first group that are linebred back to Prim, who died back in early September after reigning in the pasture as herd queen and “matriarch of mayhem,” even though she only had a total of four kids in her life. She was grandmother to all three of my current milkers through her son Harry Houdini, and also great-grandmother to both Pepe and William (formerly Billy the kid).

Shortly after we found her dead, I tried to draw Prim from a photo I took of her back when we first got her in 2016. Most photos I have of her are of her hind end as she either walked out of frame or turned away from the camera, so finding a reference photo that included her face was a bit tricky. I managed to succeed in finding one, and used my tinted charcoal to try to capture the Big Girl we remember.

drawing of Prim, my top milk goat from 2016 until September of 2022

It isn’t exactly her, but she often did try to elude capture out in the pasture. Why would I think she would be any different when it comes to trying to capture her character on paper? It only occurred to me today that I had forgotten to post the drawing here on the blog.

I still have one more nanny to kid – the original silly spoiled bottle baby herself, Cocoa Puff. I am expecting her to also have twins, but right now that looks to be another two weeks or more in the future. Until then, enjoy the baby goats bottling on the video.

(Also note: the music on the video was composed, performed, and mastered by my musician brother. He gave it to me as my Christmas present this past December – how cool is that?)

February Virtual Art Walk with baby goats

Published on by kmgunnart2 Comments

I scheduled this month’s virtual art walk to happen this weekend, serenely convinced my nanny goats would not kid until next week at the soonest. And my goaty girls laughed at my hubris. So I thought I might sit this month out, but Jim Hughes applied a bit of arm-twisting on Facebook … so here I am scrambling to catch up on the art walk idea before the end of the weekend. There will be plenty of images for this post, because I am now up to four goat kids out back as the art walk group has grown to six this month.

New art walk participant Steve Estvanik

Another photographer named Steve joins our merry band of art bloggers with a fun post about dragons from around the world. I love some folklore, and find dragons fascinating. Also, I’ve long believed dragons to be a fanciful imagining of dinosaur fossils. This hypothesis just makes sense to me. No matter what you believe dragons were meant to be, they are a part of most cultures – except for ones from the African continent.

dragons from imperial China, symbolizing the power of the emporer
dragons from imperial China, photo by Steve Estvanik

Photographer and arm-twister Jim Hughes

Y’all ought to know Jim Hughes by now – he’s participated in all the virtual art walks to date and when I was going to sit this one out, he cajoled me to just use a previous blog post and toss it all together. This month he takes a look at … bricks. One of the themes in art is to call attention to things people might not see as art. The only thing he missed in his post was a reference to the old song Brick House by the Commodores. He even refrained from the obvious Pink Floyd reference. I also learned photographers love a brick wall to check their lenses for any distortion.

color photograph of bricks in a wall
Jim Hughes’ Bricks in color

Baby goat interlude 1: Capri’s first set of twins

Wednesdays I usually go up to Palatka, either for an appointment or for the new art group my friend Keashia has put together. This past week was an art group get-together … and I didn’t make it up there because Capri looked to be in labor. Francis was giving her plenty of space, and she was taking it. Around lunchtime, as the rest of the group was starting, I remarked to hubby that she’ll likely wait until after I would have been back home just to be a goat. That’s exactly how it happened. The first kid was born a little bit before hubby came out to feed the critters and put up chickens for the evening. The second was born as he was finishing up the evening feeding. One girl and one boy, with the girl looking just like her mother and the boy looking almost exactly like his sire, but with blue eyes.

Capri’s twins, girl on left and boy on right. Also, Pepe’s first kids

Sharon Popek photographs Chicago

Sharon Popek took a tour of Chicago at sunset, and captured some very nice cityscape images. The last time I was in Chicago was 2017 for my son’s wedding, and the thing I remember most was it was COLD coming up from Florida in mid-March. It was also cloudy the entire weekend, so I did not get to see anything quite as nice as Sharon’s photos.

collage of Chicago skyline at sunset from Lake Michigan
Chicago from Lake Michigan as the sun sets, photos by Sharon Popek

Dorothy Berry-Lound features purple

This month Dorothy Berry-Lound spotlights some of her artwork that incorporates the color purple, which is one of her favorite colors (as well as mine!). She even touches on not only the history of the color, but the associations in psychology and spirituality. Being the absolute geek that I am, I knew these, but apparently not everyone is as nerdy as I have always been. It’s a lovely collection of purple in art.

painting of Chinese girl holding musical instrument hanging on a dark wall
an example of Dorothy Berry-Lound’s art hanging on the wall

Francis has twin boys

After agreeing to just toss in a link on Friday, I went out yesterday to milk Capri in between thunderstorms. To my surprise, Francis did not come running up to greet me, even when I went over the electronet with the bucket of hay pellets they love so much. Hubby remarked, “I bet I know why …” and I was thinking the same. We walked up just after the first kid was born, and hubby went back inside the house to grab some old towels. If course Francis was on the far side of the pasture. We managed to move both Mama and newborn to the grassy spot of the kids’ pen as the thunder started rumbling again. After the second kid was born and both dried off, then it was time to bottle them. The firstborn boy, with the flashy white markings, immediately understood the bottle. The mostly-black boy wanted a better delivery system, but decided he could handle drinking his milk from a bottle. Both of these boys are larger than normal newborns, so it’s a good thing Francis didn’t have triplets again.

Francis and her newborn boys on the grass
Francis and her newborn twin boys. Yes, we really do have green grass this time of year in Florida!

Steve Heap’s photos of West Virginia and Hawai’i

Steve Heap is a familiar name for our virtual art walks, and once again he spotlights his artistic photography that has sold since the last time. His fans seem to divided between buying photos of West Virginia and photos of Hawaii. Funny but true: my mom called me the day before Capri kidded from her cruise of the Hawai’ian islands that she is on for her birthday. She called for one reason, to ask if I had baby goats yet. She did tell me a little about how much she is enjoying her trip, but mostly wanted to know if I had baby goats yet. My pick for this month’s image to feature from Steve is this panoramic image of Tunnels Beach on the island of Kauai.

panoramic aerial view of Tunnels Beach on the Hawai’ian island of Kauai by photographer Steve Heap

My watercolor Red Rose 2

Finally, the post I put in for this month’s virtual art walk is my watercolor Red Rose 2, where I used my line drawing as the basis for a line and wash. This is actually my first time using ink with my watercolor, and people on various sites seem to like it. Also, if you like the line drawing, sign up for my email list, as it is my free gift to subscribers this month. I will change the line drawing on the 15th of the each month for the entire year, to go along with the theme of 2023 being “A year for art.”

Previous virtual art walks

That wraps things up for this month! Since I am bottle feeding baby goats for the next eight weeks, I recommend subscribing to the email list. Not only will you get line drawings you can print out and color at home, but you’ll have new posts emailed to you when I publish them. With my usual springtime activities, I won’t be able to keep any kind of schedule until all the kids are weaned and chicks have hatched.