A head study of a noble bald eagle, worked in white colored pencil on black paper. This is actually the third in my white-on-black series, and the only bird in the series, and is itself a continuation of a page from my sketchbook (if you want a print of the sketchbook page, grid still on it, I have that uploaded to my Pixels store here). As a shortcut, I transferred the outline over to my black paper, and while I am extremely pleased with how the eye turned out, I am not so sure about the rest of the drawing. I just cannot pin down what seems off to me, though I do know exactly what I did that made the eye suddenly look so lifelike, so on that point this drawing is a success.
Thoughts on this drawing
Not every image is suited to being rendered in white on black. Some look better as black on white, and others just don’t look right either way. After doing this in white on black, I decided I would rather have done it in charcoal, preferably on a warm white or sand-beige toned paper, with white pastel pencil to do the highlights. This being a strict black and white challenge meant I’ll have to get around to that idea later. This drawing did convince me that my white-on-black is best suited for white flowers with strong shadows, so that is what the others (save the last) are. I still really like how the eagle’s eye turned out, a week later. I suppose an all-white bird might work with this style, so that is something to revisit later perhaps.
Continuing the blue-feathered bird series I completed the other week, this Peacock Portrait is the fifth acrylic painting. A close-up head study of this beautiful crested bird, I feel I was able to capture a small (but significant) bit of why I love to look at these birds. Yes, I know they can be noisy, but they really are pretty and make a challenging subject to draw or paint.
Thoughts on Peacock Portrait
This is actually the first time I have attempted to draw or paint peafowl, believe it or not. This was part of the six day “blue” themed challenge, so something about an art challenge feels like permission to try things I might feel intimidating; permission to push my boundaries and try new subjects and media. The part of painting a peacock that feels most challenging is trying to capture the elusive, shimmering iridescence of the feathers, without going too far and having your bird look more like sunlight sparkling on water.
Purchase information for this painting
This painting scanned nicely, so if you want a larger print you can get that through my Pixels store. If you want it on some RedBubble swag, the scan works well there also. The original is 9 inch by 12 inch unframed, and if you want that, you can puchase via the page at Daily PaintWorks, which uses PayPal.
I’ve made up some graphics for social media showing this in a frame on a wall, and it looks fabulous. While I wouldn’t have white walls or furniture, that setting actually shows off the vibrancy of the acrylic paint. I certainly would do a neutral color frame, and this grey has just the right hint of blue to be perfect. The mockup image is courtesy of Pixels, where you can get that exact frame.