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Cherry Blossoms of Spring

Published on March 29, 2022July 8, 2022 by kmgunnart14 Comments

Spring is my busy season around the property, and this year has been par for the course with five goat kids, firing up the incubator, and rabbits kindling. While I have been on a charcoal kick so far for 2022, yesterday and this morning it felt so good to have a paint brush in my hand and to work with some color. The interesting angle on this is Judith over at Artistcoveries posted the other day about an historical debate between color and drawing, and how she feels she is on the color side of the argument because she can do color without drawing. I commented that given my ongoing charcoal drawing kick, I have to take the drawing side of that argument, because I can (and do) draw without employing color but flounder on the idea of using color without some drawing element. I suppose that is a succinct way of saying I just don’t feel abstract art like some folks do. We then agreed that it is better to not try to draw a line between these aspects since the art world is certainly big enough for not only both viewpoints, but some that are outside of this binary.

Inspiration

Yeah, I do indeed read other artists’ blogs, and heartily recommend doing so because the interplay of ideas often sparks inspiration all around. Case in point, fellow art blogger Steven of Backyard Image was inspired by my charcoal monarch butterfly I posted last time to play with his photographs and filter software to produce his own new piece. What he doesn’t (yet) know is a previous post of his inspired me to do up both charcoal and watercolor pictures of cherry blossoms, because what says spring quite like the brief glorious week of the cherry trees in Washington, D.C. in bloom? My post inspired him, and one of his inspired me.

I had intended to use the cherry blossom motif for a new art challenge which had the stated theme of “time,” but apparently the lady who organizes these challenges had a much more narrow interpretation than I do. I wasn’t the only participant who took a broader view of the theme, though most focused on timepieces of one sort or another. I just quietly dropped out to pursue my own thing, because that is what I do.

Value study sketch in charcoal

First step for me was to hop onto Pixabay and hunt up some nice cherry blossoms reference photos. As usual, I found a good handful that suited what I had in mind, then it was on to cropping it “just right” because I am just picky like that. Once I selected my target ref photo and had it cropped, then it was time for a charcoal value sketch, where I get a feel for the shapes and shadows. This is “just” a sketch, so nothing as fancy as a full drawing for a charcoal piece, and since it is in my raggedy sketchbook, there is no original to offer, but I did upload it to Pixels for art prints since it makes a nice companion to the watercolor version.

charcoal value sketch for Cherry Blossoms of Spring — charcoal value sketch for Cherry Blossoms, 9 by 12 inches, in sketchbook

Adding color

Once I was satisfied the image has enough value contrast to be visually appealing, it was time to transfer it to watercolor paper to paint. These days I do not sketch on watercolor paper, because even when I use watercolor pencils I can still see grid lines, so I now draw it in my sketchbook and use graphite transfer paper to get the necessary lines, which I often lighten up with a kneaded eraser before laying down paint. Just for fun, I wanted to see if I could pull this painting off only using three colors: cobalt blue, rose red (which is more a magenta if you ask me), and burnt umber. I think I succeed.

watercolor painting Cherry Blossoms of Spring — Cherry Blossoms of Spring, 9 by 12 inches, watercolor, $80 USD

For this iteration, the original is available, 9 by 12 inches, sealed with Dorland’s wax medium and if you are not local you can purchase through Daily PaintWorks via PayPal. Prints are through Pixels, along with a bit of swag like puzzles or a fancy shower curtain. I also uploaded the image to RedBubble, which has a nice variety of apparel, plus the face clock. I simply must include the image of the face clock – I think it looks awesome.

Cherry Blossoms of Spring watercolor painting as an analog clock face — Cherry Blossoms of Spring as a clock face

Now, for the best news: the goat kids are down to two and three bottle feedings a day, which means I now have more time to get back to my art. They are cute, they are affectionate, but for the first four to five weeks they are rather needy, but now they are growing up and two have gone off to a new home where I have no doubt they will be spoiled rotten (no change from their life here).

Some Odds and Ends

Published on March 8, 2022July 6, 2022 by kmgunnart15 Comments

Looking through what I have uploaded to my Pixels site, I realize I am missing a blog post about a favorite charcoal drawing. Then I realized the scan I had uploaded that was (past tense now) available was from my old scanner, and that needed fixing. So, I rescanned the page from my sketchbook and replaced the old, smaller file size scan, and now I can proudly say you can get a print of this either a little smaller or a whole lot larger … like 45 by 60 inch at the biggest. That’s even bigger than my largest canvas right now! So without further ado, here is one of my favorite pages from my sketchbook, a monarch butterfly on a coneflower, rendered in charcoal.

charcoal drawing of monarch butterfly on coneflower — Monarch on coneflower, charcoal, 9 by 12 inch sketchbook page

In other news, there is a county fair this year, after a two-year hiatus, and I remembered in time to check for when they are accepting entries for the art category. It is Thursday evening and Friday morning, and I have that time block free. I will be taking up two works, the two first place winners from the VA Healthcare show. I still love how my Flamingo in Rippled Water turned out, and when I showed these two pieces to my neighbor who stopped by yesterday, he told me if it doesn’t get bought at the fair to come to him because he really wants my Dew on a Calla Lily drawing. Actually, he tried to persuade me to give it to there on the spot, but I am used to that routine by now, after living just down the road from him for nine years now.

Final bit is you may notice I have added an old style blog roll in the sidebar. Right now it is all art photographers, but I am hoping to find a drawing and painting blogger to also collaborate with soon. I blogged back in the days before social media was even a thing, and remember not only the sense of camaraderie we had, but also the fun things we used to do to help each other like link roundups, blog hops, and blog carnivals. Once I get through the busy part of spring, it will be, “Game ON!” with those ideas, so something to look forward to once the yellow flies come out of the swamp.

Two drawings from last year

Published on February 9, 2022July 23, 2022 by kmgunnart4 Comments

As I was looking over my art catalogue last night for something to feature today, I realized that I had forgotten to blog about two drawings I did last year. What a perfect way to remedy that – by spotlighting these two pieces!

Horse head in charcoal

First is one that anyone who knew me growing up would expect: a horse head. The reference photo I found is of a beautiful chestnut mare, likely a Quarter Horse, looking out from the darkness of a barn or stall. I call it Bridled, and recall spending the better part of an afternoon working first to get the background dark enough, then on getting as much of the highlights and shadows right to my eye. This was also the first time I used the Strathmore 500 series charcoal paper, with its laid texture, and the result was pleasing enough I later purchased another pad of it. My only gripe is the paper feels so lightweight after working with multimedia and watercolor papers, but charcoal works need to be displayed behind glass anyway.

charcoal drawing of bridled horse head — Bridled, charcoal on paper, 9 by 12 inches, $80 USD

The original piece is available – you can purchase it through Daily PaintWorks, which uses PayPal, or in person at One Stop Feed Store in Crescent City if you are local – and it is uploaded for art prints at my Pixels store in various sizes. I’ll probably look back at this in a few years as “not my best,” but right now I am pleased with how it turned out. I drew this in June of 2021.

Pansy pair in graphite

Prior to that, February of 2021 judging from my notes, was this page from my sketchbook that I worked at until I could call it done. Rendered in graphite, which accounts for the greyness, and now a bit worse for the wear after a year of me carrying my sketchbook about, this scan is record of how it looked immediately after completion. Looking back, I am glad I scanned it before moving to the next page, as I went back to this and traced it over transfer paper to paint in watercolor which ended up as my Johnny Jump Ups painting I’ve blogged about previously.

purple pansies drawn in graphite — Pansies Pair, sketchbook page

Since I not only left the page in my sketchbook, but used it to transfer the lines to another paper, the original is not available to buy, but since I did scan it, prints are available of it at my Pixels store. Its original size is 9 by 12 inches – perhaps my favorite size for a sketchbook because it is so portable – but the scan was good enough to print larger. It is also available as puzzles for the folks who love a good puzzle and are willing to work on one in greyscale instead of color. I have too many cats in the house to attempt an actual, physical puzzle, or I would give it a go just to see if time spent playing MicroSoft Jigsaw translates into the real world.

More to come soon!

The rest of the month of drawing in charcoal

Published on February 4, 2022December 11, 2022 by kmgunnart6 Comments

Now, for part two of my unplanned month of drawing that bled into the last day of 2021, and continued to the first day of February, and lasted the entire month of January. (Wow, that makes it sound really long!) Considering it is still in progress, I guess we are now well beyond the month idea, so perhaps I should call this a season of drawing? One big advantage drawing has over painting is how quickly it can be set aside to go do something else, and considering I have two nanny goats due to kid in the next month I think it is safe to say I’ll be working with dry media until probably mid to late March because one of the pure JOYS of having my goats is bottlefeeding the kids each spring. Even if I want to take a break from monochrome charcoal, I have soft pastels (I often call them dusties), pastel pencils, regular colored pencils, and even oil pastels, though the oilies will smear if a cat walks across before I’ve sealed it.

Inspiration for charcoal drawing

Enough rambling – back to the drawing spree I am still currently doing. A couple weeks ago, I got an email on a list I subscribed to for a free tutorial offering the “legacy class bundle” for a discounted price. I thought it over, then decided the sale price was fair and bought a whole huge heap of video tutorials, and decided to start with the drawing ones. While I am bouncing around as to which one I do any given day, depending on my mood, here are the first pieces I’ve drawn with the tutorials. I should probably mention the artist who made the tutorial bundle does photorealism. I call what I do just realism, as I don’t actually try to copy a photo down to the tiniest detail, but there are all kinds of small tips and pointers littered throughout the videos’ run times that can benefit me even if I don’t go as detailed as she does.

First a rose

First, I just had to start with this rose in charcoal. Seriously, what is not to love here? I enjoy drawing and painting roses, and apparently people enjoy seeing drawings and paintings of roses, and a single white rose against a mostly-black background is about as dramatic as you can get without using color. To be honest, sometimes the monochromatic charcoal black on white can be more dramatic than color (when the stars align just right and and the picture feels like it just flows out from the pencil). This is in 8 by 10 inch format, and the very first page of a new sketchbook, plus I put it in the top corner instead of centered on the page so the original for this will not be available to buy … but I can do it again if someone wants me to, and in different size or aspect ratio. I do have prints available at my Pixels store, but I didn’t upload it to RedBubble because I am not sure my charcoal work looks as good there.

Single White Rose drawing in charcoal — Single White Rose, 8 by 10 inch charcoal (in sketchbook)

Fun flamingoes head study in charcoal

The very next day I wanted to do another drawing, and picked a reference photo for a different tutorial. It was a video on how to transfer an image from a printed photo onto your art paper, so this is me taking the tips and general method from the rose video to make these two flamingo heads. Flamingoes are definitely one of my favorite birds to draw and paint, and this image just caught my imagination. This time, I centered the 8 by 10 inch image on my not-quite 9 by not-quite 12 inch sketchbook page, so if anyone wants to purchase the original I can remove the page and trim it down with no problem – if you live outside my area you can buy through Daily Paintworks. Or you can get prints in your desired size at my Pixels store.

Two flamingoes, charcoal drawing — Two Flamingoes, 8 by 10 inch charcoal on heavy paper, $80 USD

Update: This drawing is now officially an award-winning artwork, taking 2nd place in the 2022 Creative Arts Festival for monochromatic drawing.

Kicking up my heels with a horse drawing

Those of y’all who have known me a while are already wondering how long it took me to go completely off the tutorials to do my own thing … and the magic number was three. Two days after drawing the flamingo heads, I decided it was past time I did another horse in charcoal. It took me a while to pick out a reference photo, but in the end I went with a galloping filly. I decided to try using hot press watercolor paper instead of multimedia or charcoal/pastel paper, and that goes back to the tutorial series. It is the first time I’ve used watercolor paper for something other than watercolor, and it is also the first time I’ve heard of using a dry media on paper for water media. I think I need to try a few more times before I can say if I like it or not, but it does have a different feel than normal dry drawing paper. This one is an actual 12 by 9 inch pad of paper, and the original is available for purchase through Daily PaintWorks. Prints of various sizes are available at my Pixels site as well.

Frolicking Filly, charcoal drawing of young horse cantering in the pasture — Frolicking Filly, 12 by 9 inch charcoal on paper, $80 USD

Practice for a portrait

I mentioned at the start of this post that my drawing kick kicked off on New Year’s Eve, and that is because I drew the winner of December’s frame giveaway that evening before bed. Since Murphy’s Law governs more than just the army, the winner wants her portrait to go into the frame she won. I am still knocking the rust off my people-drawing skills, and there is a series for that in the big legacy class bundle. First things first – an eye study since the eyes are the main feature that will make-or-break a portrait. I had my dog-eared almost-full old sketchbook within reach, so this is one I am not offering the original … and I have not uploaded it for prints either. About the only place I could see this in a frame and on a wall would be the waiting room of an optometry office. It is still “good training,” as we used to say in the army.

eye study in charcoal on paper — Eye study, 12 by 9 inch charcoal, in sketchbook

So this brings me current, as of today. I have tutorials on drawing the nose and the mouth to work through, then one on doing a whole face. After that, I may feel brave enough to try my hand at Dorothy’s portrait again. Yes, again – I did try early in January and was not satisfied with the result (which made the sale on the tutorial videos quite timely for me). I may be very much behind my self-set schedule for getting this out, but as I remarked to my husband yesterday, I won’t call a piece done until I am satisfied with how it has turned out. If that means I need to redo it until I get it to my satisfaction, well we did that in the army as well!

Until my next check-in!

Original paintings to be listed on Daily PaintWorks

Published on October 7, 2021August 3, 2022 by kmgunnartLeave a comment

I am starting to list my original paintings on the site Daily PaintWorks for additional exposure as well as making it a bit easier to handle the business side of selling online. First listed is the 10 by 8 inch watercolor, Monarch on Coneflower. Prints will still be available through my Pixels store, and apparel and accessories through RedBubble, even after the original is sold. I’ll be uploading an available original painting at DPW each day for the next month, as they offer a 31 day free trial, and I am still looking for my “place” on the internet where my art will do best.

Monarch on Coneflower, 8x10 inch watercolor painting listed at Daily Paintworks — Monarch on Coneflower, 10 by 8 inch watercolor, original available $80USD (plus shipping)

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