Jack-O-Lantern painting for Halloween

This will probably be my only Halloween-specific painting I do this autumn, mainly because the local county tends to dress everything in pink for Breast Cancer Awareness month (and I have three aunts who have been through that!) but Halloween has always been one of my favorite holidays. Well, except the year I got chicken pox in third grade, but that’s irrelevant even though my mom might mention it in a comment. Now what says Halloween more than a carved Jack O’Lantern?

The first painting attempt

My previous painting of the pumpkins in sunlight inspired me to do up a carved jack-o-lantern. While I still made the effort the get the shading and light correct, this one is a bit more whimsical than realistic. This is actually the second painting, as I was not quite finished with my first attempt when I noticed the sheet of paper had a flaw where the paint just would not adhere … right on one of the teeth. Once I noticed it, I had to redo the painting, because it was a couple of white splotches that stuck out like stark white pieces of spinach, and the position of the flaws reinforced that. (My friend Keashia happily took the flawed painting, saying she would never have noticed it if I hadn’t pointed it out.)

The final painting

So yesterday I cut the flawed sheet off the watercolor block, transferred the general outline to a new sheet, and went to painting it again. I think this one is actually a slight improvement over the first, and I have the general feeling that this painting is fun to look at, in a very Halloween way. I was particularly pleased with how the orange skin, yellow flesh, and interior shadows worked with each other for an overall mostly realistic but a bit whimsical Jack O’Lantern. The only thing missing would be a lit candle – something to do for next summer.

Jack-O-Lantern watercolor painting for Halloween
Jack-O-Lantern, 10 by 10 inch watercolor on paper, original available $100 USD

Now, for all the links for those who are interested in owning either the original or prints or apparel (because it makes for some awesome shirts, and even more awesome face masks!). The original can be purchased either directly from me or through Daily Paintworks through PayPal. Prints and one style of masks are available through my Pixels page. For this image printed on all kinds of apparel and accessories, including two different styles of face masks, see my page at RedBubble.

Pumpkin Close-Up still life watercolor

Occasionally, a bit of artistic magic happens and the art piece just flows out onto the paper or canvas. That happened yesterday, and the result is a return to my watercolor paints, and what can best be classified as a still life, as it is a pumpkin in the sunlight.

I must confess to a fondness for drawing and painting squash. That will probably be obvious as time goes on, but I think the skin on squash is visually interesting. It gets even more interesting when you slice it open and reveal the flesh, pulp, and seeds, like in my charcoal drawing of a quartered squash with a wedge. Since I felt inspired to play with color yesterday, the focus visually was more on the orange of the pumpkin skin and how the sunlight and shadows modified the color.

Painting details

Believe it or not, I started this painting with blue – indanthrene blue, to be exact. I only left the one corner of that blue uncovered, but it is lurking in the bottom-most layer of the shadows. I only used two oranges: a bright, cheerful yellow-orange, and a strong, vibrant red-orange. I actually used more colors on the stem than the pumpkin flesh, but part of that was trying to tweak the tan. And a note for fellow watercolor artists, I used only my Mijello Mission Gold paints, on Stonehenge Aqua paper.

Now, for the reveal:

watercolor still life painting Pumpkin Close-up by artist Katrina Gunn
Pumpkin Close-Up, 14 by 10 inch watercolor painting on paper, available $140 USD (shipping extra)

I couldn’t think of a more-original title than “Pumpkin Close-Up,” but perhaps I used all the creativity getting the shades of the skin just right to look like October sunlight is hitting this symbol of autumn. I suppose whoever buys the original can rename it. At 14 by 10 inches, this is actually my largest watercolor painting to date, though I would like to go a bit larger once I can put together a cat-free zone. I still have not forgotten finding a cat’s-paw print on one of my early watercolor exercises.

Purchasing links for Pumpkin Close-up

For those who would like this painting but in a different size, prints are at my Pixels store … along with jigsaw puzzles. I think this would be a fun puzzle to put together (in a cat-free zone, of course). My RedBubble store also has a puzzle option, along with apparel and other accessories. I’m partial to the zipper pouches, if you can believe it, though the new hats are nice also. Finally, if you are the person who wants to put the original on your wall, you can purchase it through Daily PaintWorks and PayPal. Oh, the original does NOT have the domain name on it – that is something I add to the scan because I know image “borrowing” is almost as old as the internet itself.

Update: this is now an award-winning artwork, taking first place in the watercolor category for 2022!

Original paintings to be listed on Daily PaintWorks

I am starting to list my original paintings on the site Daily PaintWorks for additional exposure as well as making it a bit easier to handle the business side of selling online. First listed is the 10 by 8 inch watercolor, Monarch on Coneflower. Prints will still be available through my Pixels store, and apparel and accessories through RedBubble, even after the original is sold. I’ll be uploading an available original painting at DPW each day for the next month, as they offer a 31 day free trial, and I am still looking for my “place” on the internet where my art will do best.

Monarch on Coneflower, 8x10 inch watercolor painting listed at Daily Paintworks
Monarch on Coneflower, 10 by 8 inch watercolor, original available $80USD (plus shipping)

Summer Jalapeno acrylic painting

I am finally getting to the final image from the black and white challenge, which ended up being a photograph I took in early July of my husband’s jalapeno plant, cropped, straightened, and with the color taken out. I had a busy day out of the house that day, running errands up in Palatka, and was tired both physically and mentally once I got home. I really was not happy with the result, and immediately planned to redo it and replace the image with something better, something more “me” than a cluttered and busy photo.

black and white photo of my husband's jalapeno plant with blossoms and peppers
greyscale version of my reference photo

That something else ended up being the very next challenge, which I started with the Calla Lily painting in acrylic. Since the theme for the next challenge was “anything goes,” I figured to do up three images from the black and white challenge in color, using acrylic paint since I could use the practice with that medium.

Starting the painting

Some days, the paint just flows perfectly, and the painting comes together “like magic,” as the saying goes. Then, there are days when I feel as though I am fighting every step of the way … and the first day of this painting was definitely a struggle. I blocked out the position of everything easily enough, but my first stab at the background color turned out too purple, so I mixed up some more paint and tried again, with this time being too light a blue. Then, when that dried, I noticed I didn’t cover the too-violet paint well enough in some spots, so I went over it a third time, using the paint straight from the bottle. Then, I turned my attention to the green leaves and stems.

Trouble getting the green of summer

At the time, I only had two shades of green at hand, and neither one was dark enough to be a good jalapeno green. I tried mixing, but at this point it was time to put the critters up for the night and I was frustrated enough I needed to suppress the urge to throw the canvas across the room. That’s usually a clear sign to stop working on it, and try again the next day. So, this painting knocked me out of the short, three-day “anything goes” art challenge, which requires one completed work each day of the challenge. Dropping out of a challenge is only a minor disappointment for me, and one I actually prefer to posting up something I don’t like.

After officially dropping out, hubby was home and asked me what part of the painting had me so frustrated. When I got to the part about not having a good green, he started digging around his bunch of paint (he has used this brand for several years now) and started pulling out half a dozen shades of green for me to choose from. Then he remembered some blending medium that slows drying time that he tried but doesn’t use often, and also a wet palette setup to keep the paint you mix up on the palette from drying while you work.

Finishing the painting

With the expanded selection of greens available the next day, this painting came together so much easier! This one I actually like, and it is currently on display at El Amigo Mexican Restaurant – because that really is a perfect place to display a painting of a jalapeno plant that has a couple white blossoms, one dark green fruit, and two ripe red peppers (when jalapenos turn red, they are called chipotles). This particular painting may not be perfect (and to be honest, it isn’t because I can spot mistakes) but I like it much better than the photograph.

Summer Jalapeno, acrylic painting on stretched canvas
Summer Jalapeno, 11 by 14 acrylic painting on 5/8 deep stretched canvas, original available $175 USD

I’ll likely do a similar painting, or maybe recrop the photo for a more close-up view of it, and hopefully it will have fewer mistakes and be less frustrating. For those who may want a print either larger or smaller than the original 11 by 14, check out my Pixels store. If you want this printed on apparel or swag, look here on RedBubble. For the original, you can purchase through Daily PaintWorks – or call the number on my business card at the restaurant.

Two Calla Lilies white on black

Circling back to the black and white art challenge, this piece was the fifth one I drew, although it will technically be the last I post of this series, as I will explain in another post. I actually made this drawing of two calla lilies before I did the single Calla Lily, and I was pleased enough with this piece to do the other. Like the others in this series, the reference photo used is color, but has enough contrast in values to make for a nice monochrome picture. Like the previous calla lily I posted, I am thinking of doing this one in color with paints, though I am still trying to decide between using acrylic versus oil paint.

Two Calla Lilies, white pencil drawing on black paper
Two Calla Lilies, white pencil on black paper, 9 by 12 inches, available $80 USD

Just like all the others in this series, I used 9 by 12 inch black paper and two different brands of white colored pencil. If you are interested in purchasing the original, you can arrange the sale privately or buy through Daily Paintworks’ website. I do offer shipping, which is extra, but I will pack it to minimize potential for damage. Like the other drawings in the white-on-black series, I can add color for additional cost (for an example, see my Christmas Candle post).

If you prefer to have a print either smaller or larger than the 9×12 inch original, check out your options at my Pixels store. For this picture printed on apparel or accessories, browse my RedBubble store.

I still have one more image in this series, although I have replaced the original black and white photograph with an acrylic painting. That post will be next!