Cherry Blossoms of Spring

Spring is my busy season around the property, and this year has been par for the course with five goat kids, firing up the incubator, and rabbits kindling. While I have been on a charcoal kick so far for 2022, yesterday and this morning it felt so good to have a paint brush in my hand and to work with some color. The interesting angle on this is Judith over at Artistcoveries posted the other day about an historical debate between color and drawing, and how she feels she is on the color side of the argument because she can do color without drawing. I commented that given my ongoing charcoal drawing kick, I have to take the drawing side of that argument, because I can (and do) draw without employing color but flounder on the idea of using color without some drawing element. I suppose that is a succinct way of saying I just don’t feel abstract art like some folks do. We then agreed that it is better to not try to draw a line between these aspects since the art world is certainly big enough for not only both viewpoints, but some that are outside of this binary.

Inspiration

Yeah, I do indeed read other artists’ blogs, and heartily recommend doing so because the interplay of ideas often sparks inspiration all around. Case in point, fellow art blogger Steven of Backyard Image was inspired by my charcoal monarch butterfly I posted last time to play with his photographs and filter software to produce his own new piece. What he doesn’t (yet) know is a previous post of his inspired me to do up both charcoal and watercolor pictures of cherry blossoms, because what says spring quite like the brief glorious week of the cherry trees in Washington, D.C. in bloom? My post inspired him, and one of his inspired me.

I had intended to use the cherry blossom motif for a new art challenge which had the stated theme of “time,” but apparently the lady who organizes these challenges had a much more narrow interpretation than I do. I wasn’t the only participant who took a broader view of the theme, though most focused on timepieces of one sort or another. I just quietly dropped out to pursue my own thing, because that is what I do.

Value study sketch in charcoal

First step for me was to hop onto Pixabay and hunt up some nice cherry blossoms reference photos. As usual, I found a good handful that suited what I had in mind, then it was on to cropping it “just right” because I am just picky like that. Once I selected my target ref photo and had it cropped, then it was time for a charcoal value sketch, where I get a feel for the shapes and shadows. This is “just” a sketch, so nothing as fancy as a full drawing for a charcoal piece, and since it is in my raggedy sketchbook, there is no original to offer, but I did upload it to Pixels for art prints since it makes a nice companion to the watercolor version.

charcoal value sketch for Cherry Blossoms of Spring
charcoal value sketch for Cherry Blossoms, 9 by 12 inches, in sketchbook

Adding color

Once I was satisfied the image has enough value contrast to be visually appealing, it was time to transfer it to watercolor paper to paint. These days I do not sketch on watercolor paper, because even when I use watercolor pencils I can still see grid lines, so I now draw it in my sketchbook and use graphite transfer paper to get the necessary lines, which I often lighten up with a kneaded eraser before laying down paint. Just for fun, I wanted to see if I could pull this painting off only using three colors: cobalt blue, rose red (which is more a magenta if you ask me), and burnt umber. I think I succeed.

watercolor painting Cherry Blossoms of Spring
Cherry Blossoms of Spring, 9 by 12 inches, watercolor, $80 USD

For this iteration, the original is available, 9 by 12 inches, sealed with Dorland’s wax medium and if you are not local you can purchase through Daily PaintWorks via PayPal. Prints are through Pixels, along with a bit of swag like puzzles or a fancy shower curtain. I also uploaded the image to RedBubble, which has a nice variety of apparel, plus the face clock. I simply must include the image of the face clock – I think it looks awesome.

Cherry Blossoms of Spring watercolor painting as an analog clock face
Cherry Blossoms of Spring as a clock face

Now, for the best news: the goat kids are down to two and three bottle feedings a day, which means I now have more time to get back to my art. They are cute, they are affectionate, but for the first four to five weeks they are rather needy, but now they are growing up and two have gone off to a new home where I have no doubt they will be spoiled rotten (no change from their life here).

Some Odds and Ends

Looking through what I have uploaded to my Pixels site, I realize I am missing a blog post about a favorite charcoal drawing. Then I realized the scan I had uploaded that was (past tense now) available was from my old scanner, and that needed fixing. So, I rescanned the page from my sketchbook and replaced the old, smaller file size scan, and now I can proudly say you can get a print of this either a little smaller or a whole lot larger … like 45 by 60 inch at the biggest. That’s even bigger than my largest canvas right now! So without further ado, here is one of my favorite pages from my sketchbook, a monarch butterfly on a coneflower, rendered in charcoal.

charcoal drawing of monarch butterfly on coneflower
Monarch on coneflower, charcoal, 9 by 12 inch sketchbook page

In other news, there is a county fair this year, after a two-year hiatus, and I remembered in time to check for when they are accepting entries for the art category. It is Thursday evening and Friday morning, and I have that time block free. I will be taking up two works, the two first place winners from the VA Healthcare show. I still love how my Flamingo in Rippled Water turned out, and when I showed these two pieces to my neighbor who stopped by yesterday, he told me if it doesn’t get bought at the fair to come to him because he really wants my Dew on a Calla Lily drawing. Actually, he tried to persuade me to give it to there on the spot, but I am used to that routine by now, after living just down the road from him for nine years now.

Final bit is you may notice I have added an old style blog roll in the sidebar. Right now it is all art photographers, but I am hoping to find a drawing and painting blogger to also collaborate with soon. I blogged back in the days before social media was even a thing, and remember not only the sense of camaraderie we had, but also the fun things we used to do to help each other like link roundups, blog hops, and blog carnivals. Once I get through the busy part of spring, it will be, “Game ON!” with those ideas, so something to look forward to once the yellow flies come out of the swamp.

Cougar drawing in charcoal

In between bottle feeding the five goat kids out in the pen, I managed to work up a charcoal study of a cougar from a photograph provided by Grace Carpenter for an art challenge on a forum I read. Unlike the tulip bud I started yesterday, I managed to get this one finished before a jealous indoor kitty sat on it. Said tulip project has both paw prints and a butt print on it in addition to the dry pastel smearing. I really do need to remember to turn my works-in-progress over so the working surface faces down. Enough grumbling from me about yesterday’s aborted project – back to today’s drawing.

cougar charcoal drawing
Cougar, 9 by 12 inch charcoal, in sketchbook

This is just my first sketch of it, mostly for the experience points, and also to see how well I liked the crop of the original photo. While I am mostly pleased with how it turned out, I think I want to try it in white pencil on black paper as that may be a bit easier to get the whiskers to show up like I want. I also need to work on the chin and lower muzzle a bit better, but I decided to upload it and make prints available from my Pixels store.

The amusing part of this story is I scanned the drawing and was almost ready to upload it when I noticed I had forgotten to add in the whiskers and lightest highlights. So, just for the giggles, here is the first scan, before I finished it up.

charcoal drawing of a mountain lion in charcoal
not QUITE finished yet!

It may not seem like a lot of difference between the not-quite-done version and the final version, but I can see it and therefore cannot unsee it.

Now, for the geekiness that is me: This oversized house cat really is an oversized house cat, despite some of its other names like puma, mountain lion, or in this region Florida panther. It isn’t even in the panther genus, unlike actual lions, so I guess puma or cougar are the best names for it. Cougars are related to my jealous little feline monsters … and this is very similar to look on Stripe’s face this morning as I tried (unsuccessfully) to get her off yesterday’s drawing without smearing it.

Interlude

Just a quick post about not doing as much art right now. It’s the best of reasons: Francis kidded Tuesday around sunset, and this year she had triplets! She has given me the little billy I was hoping for, with two future milking nannies. All three are now on the bottle, which is the fastest I have been able to get an entire sibling group to accept the bottle. At only three days old, their little stomachs cannot hold much per feeding, so right now I am going out every three hours to feed. Now, for the obligatory baby goat photo – these three are not posing for me, so this is the best I can do right now (after more than two days of trying – I have quite the collection of photos of their rears).

my three newest baby goat kids
first goat kids of 2022

While I will likely be sketching these cute little dirt monsters soon, and even the out of focus photos help with that, I just wanted an excuse to post the goat kid photo, because I know a few of y’all love to see them and aren’t on Facebook. Enjoy!

Apples 3 in Charcoal

I am still on my charcoal drawing kick, and still enjoying both process and results. Today, I finally finished up a simple (not the same as easy though) still life of a pair of apples, which is one of the tutorials I bought last month though I took the reference photo and made a different crop, which results in a different finished piece. (Y’all may recall I enjoy using apples as a still life subject.)

I actually started this late last week, but decided I wanted to take my time and see how well I liked the end product. The answer is, “I like it.”

Apples 3, 12 by 9 inch charcoal, in sketchbook

Since this started out as an exercise in my bedraggled, almost-but-not-quite-full sketchbook, I cannot offer the original for purchase, although I would be happy to redo it on better paper that doesn’t have two corners curling up. I did scan and upload it to my Pixels store, so print are available all the way up to 60 by 45 inches. Have I mentioned recently how much I love my scanner that I bought with stimulus money the other year?

The charcoal drawing I did prior to Apples 3 is not as impressive. It’s another study for portraiture, and also in my sketchbook and not available for purchase. Here I was focusing on the nose and mouth of a face. The reference photo seemed a little off to my eye, and my drawing seemed to bring that out. Oddly, I still like it enough to share here.

Nose and mouth study, 9 by 12 inches, charcoal, in sketchbook

I still need a bit more practice before I can claim to be able to do portraits of people, but in all honesty I have drawn worse than this. If nothing else, this is a marker on my journey to draw and paint people.