Category: still life

Pumpkin Close-Up still life watercolor

Published on by kmgunnart4 Comments

Occasionally, a bit of artistic magic happens and the art piece just flows out onto the paper or canvas. That happened yesterday, and the result is a return to my watercolor paints, and what can best be classified as a still life, as it is a pumpkin in the sunlight.

I must confess to a fondness for drawing and painting squash. That will probably be obvious as time goes on, but I think the skin on squash is visually interesting. It gets even more interesting when you slice it open and reveal the flesh, pulp, and seeds, like in my charcoal drawing of a quartered squash with a wedge. Since I felt inspired to play with color yesterday, the focus visually was more on the orange of the pumpkin skin and how the sunlight and shadows modified the color.

Painting details

Believe it or not, I started this painting with blue – indanthrene blue, to be exact. I only left the one corner of that blue uncovered, but it is lurking in the bottom-most layer of the shadows. I only used two oranges: a bright, cheerful yellow-orange, and a strong, vibrant red-orange. I actually used more colors on the stem than the pumpkin flesh, but part of that was trying to tweak the tan. And a note for fellow watercolor artists, I used only my Mijello Mission Gold paints, on Stonehenge Aqua paper.

Now, for the reveal:

watercolor still life painting Pumpkin Close-up by artist Katrina Gunn
Pumpkin Close-Up, 14 by 10 inch watercolor painting on paper, available $140 USD (shipping extra)

I couldn’t think of a more-original title than “Pumpkin Close-Up,” but perhaps I used all the creativity getting the shades of the skin just right to look like October sunlight is hitting this symbol of autumn. I suppose whoever buys the original can rename it. At 14 by 10 inches, this is actually my largest watercolor painting to date, though I would like to go a bit larger once I can put together a cat-free zone. I still have not forgotten finding a cat’s-paw print on one of my early watercolor exercises.

Purchasing links for Pumpkin Close-up

For those who would like this painting but in a different size, prints are at my Pixels store … along with jigsaw puzzles. I think this would be a fun puzzle to put together (in a cat-free zone, of course). My RedBubble store also has a puzzle option, along with apparel and other accessories. I’m partial to the zipper pouches, if you can believe it, though the new hats are nice also. Finally, if you are the person who wants to put the original on your wall, you can purchase it through Daily PaintWorks and PayPal. Oh, the original does NOT have the domain name on it – that is something I add to the scan because I know image “borrowing” is almost as old as the internet itself.

Update: this is now an award-winning artwork, taking first place in the watercolor category for 2022!

On the Easel 1: Garlic and Chives

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The working title for this is Garlic and Chives, and it is an acrylic still life on a black 10 by 8 inch stretched canvas. I am working from a reference photo, and I have been stuck at this stage for about a week. Something seems a bit off, and I am still not quite sure what. Part of the challenge for this is the reference photo has two light sources out-of-frame, which throws odd but interesting shadows.

acrylic painting Garlic and Chives in progress
Garlic and Chives, 10 x 8 acrylic on stretched canvas – in progress

Photography versus reference photos for painting

I am feeling a bit frustrated with the very narrow range of reference photos for garlic as a still life subject. Most of what I have found is lighted for photography (duh) which is actually not so good for painting. In painting, especially a still life, you want dramatic lighting with definite contrast between the lit highlights and the shadows – in art jargon, a high contrast in values. The test I use is to take all the color out of a potential reference photo and see how it looks in greyscale (also commonly called black and white).

What seems to be the obvious solution to the lack of good reference photos – set up my own still life arrangement and paint it from life – is not so simple when you start to play around with trying to light it. Most artists who do this on a regular basis have a box and specific lamps to get the desired effect … oh, and usually a cat-free studio. That is my dream: a cat-free studio, with windows that are high up on the walls, with the right lamps to cast the right shadows. Until I attract a wealthy patron, or get a winning scratch-off lottery ticket, it is still in the realm of dreams. But hey, everyone needs to have a dream for what the end goal is.

Charcoal Still Life Quarter Wedge Squash

Published on by kmgunnart3 Comments

A charcoal still life of a squash, with a quarter cut out and a wedge sliced off to reveal the rich flesh and seeds within.  Vegetables are a popular subject for still life works, right up there with flowers.  I did a little research into still lifes, and discovered this was an art category that women play a prominent role in, even back into Renaissance time.

charcoal still life drawing Quarter Wedge Squash
Quarter Wedge Squash, charcoal on (European) paper, original available $80 actual size is 23 x 31 cm

The original is roughly 12 by 9 inches (23 cm by 31 cm, made in France), on 100% cotton paper, with a coat of fixative, and available.  It is currently on display at El Amigo Restaurant in Crescent City, Florida. If you live outside the area, you can purchase the original through Daily PaintWorks and have it shipped to you. Prints are available at my Pixels store, and accessories and more styles of prints are at my RedBubble store. 

I revisited the idea of charcoal still life drawings again, with my Apples 3 in charcoal being the one I like best (so far). Even more charcoal artwork is here, and I will continue to add more simply because I enjoy the medium so. I will also be doing more still life art, because there is just something classical about it that appeals to me – and on occasion, I even manage to bring in some produce from my attempts at gardening, including more squash.

A Single Candle drawing in colored pencil

Published on by kmgunnart5 Comments

A single lighted orange candle in the darkness, the flame’s glow burning brightly.  Colored pencil on black paper, this is a study for a more complex still life drawing idea I have in mind.  The study turned out so nicely, I had to offer it up. 

color pencil study of A Single Candle on black paper, lighted orage pillar candle with flame the focal point
A Single Candle, 9 by 12 inch color pencil on black paper, original available

Original is 12 by 9 inch paper, and can be bought via Daily PaintWorks.  Prints are available at my Pixels store and accessories at my RedBubble store.

Technical drawing notes

Because I am asked by other artists wanting to try this technique, I thought I should share one very big tip and some smaller drawing tips I used to achieve this lighted candle effect. None of these are original – I found most in various YouTube videos on the subject – but here they are in one spot for reference.

  • Use a reference photo – this is mine
  • Outline where you want what on the drawing
  • On the brightest parts, use white pencil first for a base layer, fading to the black of the paper
  • For that pale yellow glow, lay down an underlayer of pale yellow before going over it with the intended color
  • for a visual example of the white underlayer, see my post on my Christmas Candle still life drawing

Lighted candle drawings

I’ll likely be doing even more drawings of lighted candles, because not only are they a fun challenge to draw or paint properly, but I just love watching a candle’s flame dance as the air moves around it. Also, I love trying to capture that warm glow of candlelight, not only in the flame itself but the way it lights all the objects around it. I especially intend to do some still life drawings featuring lighted candles, as those tend to be my favorite compositions.