Now, for part two of my unplanned month of drawing that bled into the last day of 2021, and continued to the first day of February, and lasted the entire month of January. (Wow, that makes it sound really long!) Considering it is still in progress, I guess we are now well beyond the month idea, so perhaps I should call this a season of drawing? One big advantage drawing has over painting is how quickly it can be set aside to go do something else, and considering I have two nanny goats due to kid in the next month I think it is safe to say I’ll be working with dry media until probably mid to late March because one of the pure JOYS of having my goats is bottlefeeding the kids each spring. Even if I want to take a break from monochrome charcoal, I have soft pastels (I often call them dusties), pastel pencils, regular colored pencils, and even oil pastels, though the oilies will smear if a cat walks across before I’ve sealed it.
Enough rambling – back to the drawing spree I am still currently doing. A couple weeks ago, I got an email on a list I subscribed to for a free tutorial offering the “legacy class bundle” for a discounted price. I thought it over, then decided the sale price was fair and bought a whole huge heap of video tutorials, and decided to start with the drawing ones. I am bouncing around as to which one I do any given day, depending on my mood, and here are the first pieces I’ve drawn with the tutorials. I should probably mention the artist who made the tutorial bundle does photorealism. I call what I do just realism, as I don’t actually try to copy a photo down to the tiniest detail, but there are all kinds of small tips and pointers littered throughout the videos’ run times that can benefit me even if I don’t go as detailed as she does.
First, I just had to start with this rose in charcoal. Seriously, what is not to love here? I enjoy drawing and painting roses, and apparently people enjoy seeing drawings and paintings of roses, and a single white rose against a mostly-black background is about as dramatic as you can get without using color. To be honest, sometimes the monochromatic charcoal black on white can be more dramatic than color (when the stars align just right and and the picture feels like it just flows out from the pencil). This is in 8 by 10 inch format, and the very first page of a new sketchbook, plus I put it in the top corner instead of centered on the page so the original for this will not be available to buy … but I can do it again if someone wants me to, and in different size or aspect ratio. I do have prints available at my Pixels store, but I didn’t upload it to RedBubble because I am not sure my charcoal work looks as good there.
The very next day I wanted to do another drawing, and picked a reference photo for a different tutorial. It was a video on how to transfer an image from a printed photo onto your art paper, so this is me taking the tips and general method from the rose video to make these two flamingo heads. Flamingoes are definitely one of my favorite birds to draw and paint, and this image just caught my imagination. This time, I centered the 8 by 10 inch image on my not-quite 9 by not-quite 12 inch sketchbook page, so if anyone wants to purchase the original I can remove the page and trim it down with no problem – if you live outside my area you can buy through Daily Paintworks. Or you can get prints in your desired size at my Pixels store.
Those of y’all who have known me a while are already wondering how long it took me to go completely off the tutorials to do my own thing … and the magic number was three. Two days after drawing the flamingo heads, I decided it was past time I did a horse in charcoal. It took me a while to pick out a reference photo, but in the end I went with a galloping filly. I decided to try using hot press watercolor paper instead of multimedia or charcoal/pastel paper, and that goes back to the tutorial series. It is the first time I’ve used watercolor paper for something other than watercolor, and it is also the first time I’ve heard of using a dry media on paper for water media. I think I need to try a few more times before I can say if I like it or not, but it does have a different feel than normal dry drawing paper. This one is an actual 12 by 9 inch pad of paper, and the original is available for purchase through Daily PaintWorks. Prints of various sizes are available at my Pixels site as well.
I mentioned at the start of this post that my drawing kick kicked off on New Year’s Eve, and that is because I drew the winner of December’s frame giveaway that evening before bed. Since Murphy’s Law governs more than just the army, the winner wants her portrait to go into the frame she won. I am still knocking the rust off my people-drawing skills, and there is a series for that in the big legacy class bundle. First things first – an eye study since the eyes are the main feature that will make-or-break a portrait. I had my dog-eared almost-full old sketchbook within reach, so this is one I am not offering the original … and I have not uploaded it for prints either. About the only place I could see this in a frame and on a wall would be the waiting room of an optometry office. It is still “good training,” as we used to say in the army.
So this brings me current, as of today. I have tutorials on drawing the nose and the mouth to work through, then one on doing a whole face. After that, I may feel brave enough to try my hand at Dorothy’s portrait again. Yes, again – I did try early in January and was not satisfied with the result (which made the sale on the tutorial videos quite timely for me). I may be very much behind my self-set schedule for getting this out, but as I remarked to my husband yesterday, I won’t call a piece done until I am satisfied with how it has turned out. If that means I need to redo it until I get it to my satisfaction, well we did that in the army as well!
Until my next check-in!